SoCal PhotoExchange

Douglas Stockdale – Guide to Self-Publishing an Indie Artist Book

Posted in Photo Art Business, Photo books, Photography by Gerhard Clausing on November 3, 2017

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Author and Principal Photographer:  Douglas Stockdale (born Butler, PA; resides Rancho Santa Margarita, CA)

Publisher: Self-published; first edition, first printing of 400; copyright © 2017

Text: English

Stiff-cover saddle-stitched book of 40 numbered pages with 14 images on several types of paper; 7.5×9 inches; full-color digital lithography, printed by Dual Graphics, Brea, California; $19.95 plus shipping ($4.50 in US & $15.00 USD other countries)

Book Design: Douglas Stockdale and Craig Evans – Text Editor: Gerhard Clausing – Cover Photograph: Scott Mathews

 

Notes:

This book had its debut at the Medium Festival of Photography on October 26, 2017, and was received with great enthusiasm. It is a detailed guide to help the artist through all the steps and considerations to keep in mind when thinking about and executing an independently published artist book.

Douglas Stockdale, editorial founder of and prolific contributor to The PhotoBook Journal and our SoCal PhotoExchange, who has been our guide through many artistic and publishing intricacies which he has discussed in hundreds of book reviews and articles, really gets to the point in this publication. Fortunately, his collaborator and sponsor in this venture is the renowned printing and communications company Dual Graphics in Brea, California, which already assisted Ansel Adams in artfully transferring his photography to print many years ago.

Doug certainly practices what he preaches. As a successful mentor and leader of workshops dealing with planning, producing, and marketing photo books, and as an author of a number of them himself (In Passing, Ciociaria, Pine Lake, Bluewater Shore), he is able to lay out logical and creative patterns for planning and doing artist books that are designed to help artists avoid many possible pitfalls that he has observed over time. The discussion is divided into five stages, which also constitute the chapters of this book:

  1. Book Pre-Visualization
  2. Marketing (including funding and fundraising)
  3. Book Development (including editing, sequencing the images, and making a book “dummy”)
  4. Book Design (and options)
  5. Book Production

Just to name one very important consideration, this Guide introduces marketing issues early in the process, rather than at the end, as others have done, since marketing information and decisions are integral to all other considerations that follow. Doug also devotes important space to the topics of selecting and sequencing the images to be included in an artist book, a topic that is sketchy in other guides on publishing your own artist book. There are many other planning considerations that he discusses to help the reader untangle potential difficulties.

Another fascinating feature of this book, extremely useful and exclusive, is the addition of sample pages of several different types of paper on which the same color and monochrome images are printed, so that the effect of printing on papers with different surfaces and characteristics can be seen. While the images below are no substitute for getting the actual book and studying the printing on the actual paper, they allow you to begin to see some differences. This feature alone is worth more than the cost of the book, as it is the best demonstration for working closely with a top-notch printing company, and to alert the potential maker of an artist book to all the details that can make a huge difference. There are also detailed descriptions of the papers included, as well as definitions of many terms that make the artist more knowledgeable when dealing with the printing and binding options. Needless to say, the author’s style is to the point, easy to read, and not filled with unnecessary technical jargon.

This book is highly recommended, especially if you are not sure about doing an artist book. The overview and the details provided here will help you understand and appreciate the process and will serve as a checklist to guide you through the entire process when you have made the decision to go through with it.

Gerhard Clausing

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Report on the 2017 Medium Festival of Photography

Posted in Art Museums, Photo Art Business, Photo Galleries, Photograph Exhibits, Photographers, Photography by Gerhard Clausing on October 31, 2017

Last Sunday marked the conclusion of the sixth annual Medium Festival of Photography. This time (in contrast to the brief visit last year) I decided to participate in all four days of activities (October 26-29), and I am very pleased I did. This way I am also able to report on the range of activities that are offered, and would encourage you to participate next year. It gives me pleasure to note that we, the SoCal Photo Exchange, are a media sponsor of the Medium Festival of Photography.

The first two days were spent doing portfolio reviews. This process allows the participating photographers to show their work to leaders in the art world, be they artists, collectors, publishers, or museum staff. The feedback one can obtain is priceless, and the process teaches you to be concise and focused in editing, describing, and presenting your photographs. You are also able to make contacts this way and have the experts remember your work if there are future opportunities where your work may be exhibited and/or published. I got at least seven or eight excellent suggestions for presenting my work more effectively and for creating new series. You also get a sense of the range of preferences for various purposes. There was also a “portfolio walk” on Thursday night, where the public and fellow artists can view your work. I found the interactions refreshing, and the talks were just as straight-forward and personal as the reviews.

Friday night and Saturday were devoted to lecture/presentations. The keynote lecture by John Gossage was inspiring, as he discussed his long career and publishing history in detail, and is a great model for finding opportunities and using everyday subjects to generate profound contemplation via narrative landscape/photographic fiction. The presentation of 3D images and films by Claudia Kunin was also impressive, as she has a way to make the animated stills stir one’s memories and emotions. The lectures by Justyna Badach (selected from last year’s portfolio review participants) and Christina Seely were interesting to me as well, since they dealt with political and environmental issues that should be a concern for all of us.

Sunday a group of us went on one of the Medium Festival bus tours to visit major museums and galleries. This too was a fabulous experience. In a very compact amount of time we were able to visit a number of venues as well as to talk with a number of artists that had specifically come to the venues to make themselves available for discussion. Without having to drive, we could appreciate the Museum of Photographic Art, the San Diego Museum of Art, the San Diego Central Library Gallery, and the San Diego State University Downtown Gallery in a very compact amount of time. The images below give you some glimpses and further descriptions of what I saw. I hope it will encourage you to make use of these resources and this festival in the future.

My special thanks to Scott B. Davis, Sarah Koenig Wagner, and all the other workers of magic for creating this wonderful experience!

Gerhard Clausing

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Photographers shared their work and exchanged ideas throughout the two days of portfolio reviews at the Lafayette Hotel in San Diego.

 

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The Executive Director of the Medium Festival of Photography, Scott B. Davis. The interpersonal skills and dedicated energy of Scott, Sarah, and the rest of the team were huge factors contributing to the festival’s success, already in its sixth year.

 

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Prep time between reviews. Here photographers J.K. Lavin, Wendi Schneider, Lori Pond, and Gerhard Clausing are sorting their images.

 

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An open slot! Off to be reviewed, facilitated by Sarah Koenig Wagner, Program Manager.

 

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The keynote speaker, John Gossage, who talked about his impressive career creating several dozen books.

 

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At the Dual Graphics table, Craig Evans and author Douglas Stockdale (who introduced his very useful Guide to Self-Publishing an Indie Artist Book, soon to be reviewed here) are conversing with artist and reviewer Andrew Burgess (second from left) and photographer Todd Bradley (right).

 

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Maggie Downing, Manager of Collections and Exhibitions, explains the installation behind her and is about to start a behind-the-scenes tour of the Museum of Photographic Arts (MOPA) in Balboa Park.

 

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A viewer’s approach to the exhibit “Play,” featuring the work of Brenda Biondo (former portfolio review participant) at The San Diego Museum of Art.

 

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Philipp Scholz Rittermann explains his work, part of the San Diego Central Library Gallery exhibit “Dream of the Nineties.”

 

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Members of our group at the exhibit “We are here/Estamos aquí.” We had a chance to discuss work with photographers Tom Kiefer, Ingrid Hernández, and Stefan Falke. It was fascinating to see and hear about the artists’ personal involvement and to hear about the difficulties experienced around the US/Mexico border.

 

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The Mexican photographer Ingrid Hernández at the exhibit “We are here/Estamos aquí” at SDSU Downtown Gallery.

 

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Stefan Falke and Chantel Paul, Director of the SDSU Downtown Gallery, discussing Stefan’s work photographing artists in Mexico.

Image #3 © Douglas Stockdale; all others © Gerhard Clausing

 

The Photographer’s Guide to Marketing and Self-Promotion

Posted in Photo Art Business, Photo techniques, Photo Workshops, Photography by douglaspstockdale on October 18, 2017

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Maria Piscopo – The Photographer’s Guide to Marketing and Self-Promotion

Publisher: Allworth Press (NY), Fifth Edition, copyright 2016

While developing my Marketing Your Photo Book workshop for LACP (Note: this one-day workshop has space available, Oct 29th, at LACP) I came across Maria Piscopo’s The Photographer’s Guide to Marketing and Self-Promotion. Since this title was in its fifth edition I figured that this book has stood the test of time and photographer have kept buying it and thus might be worth checking out. What I anticipated was this is a generalist guide for a broad spectrum of photographers, not specific to the needs of artist and photographers who were marketing a small niche product like a self-published book.

My background includes graduate level marketing classes that was part of my focus while I was getting my M.B.A.  Since that course work was even more general maybe Piscopo’s book might help with some photographic market specifics that I might not be aware of. Last, this might make an interesting reference book for those attending my workshop.

Well it turns out that Maria Piscopo’s book is intended entirely for professional photographers while the fine art market is treated as a side-line and provided a short chapter in the back of the book. I had expected a little better organization of the content, but at least many of the parts for a Marketing program appear to be present.

Much of this book is about the very business basics (and I do mean basics) of professional photography; business licenses, business ethics, getting organized, using a computer (e.g. bookkeeping), and an introduction to how to use the internet for event, wedding, and commercial. Writing a Marketing plan does not occur until almost the end of the book, something I might think would be the first thing to consider for a Marketing book. Which is to say, this book is not a very good guide for Marketing and you might be better off with a college basic Marketing text book.

If on the other hand you are very new to having your own business and have not done this before,  yet you think you might want to be a professional photographer, this book might be of some help to make sure you have most of your business bases covered. This will not be a reference book for my Book Marketing workshop and not to say that occasionally there are some little gems buried in the book, just finding these can be more frustrating that what it is worth to me. It might be ideal for you.

Best regards,

Douglas Stockdale

Lectures and Events at Medium Festival, Oct. 27-29 (discounted registration through Oct.15)

Posted in Photo Art Business, Photo Galleries, Photograph Exhibits, Photographers, Uncategorized by Gerhard Clausing on October 3, 2017

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LA 66   ©John Gossage

 

Discover Medium’s 2017 Present Tense Lecturers

 

Medium is defined by an exceptional program of artist lectures—creative voices in the field who share their recent work and creative development with you. The 2017 lectures kick off with a Keynote Lecture by John Gossage on Oct. 27. John Gossage is a revered artist who got his start at the Leo Castelli Gallery (in a two-person show with Jasper Johns, no less)!

The weekend continues with lectures by Justyna Badach, Claudia Kunin, John Chiara, Christina Seely, and J. Grant Brittain. Discover their work on our website and pick up a Festival Pass today—discounted registration is available online through Oct. 15.

 

Meet Claudia Kunin on Oct. 28 at 11am

Claudia Kunin is a Los Angeles native who has maintained a career in photography for more than 30 years. Her recent work as a filmmaker involves her use of family photographs, which the artist meticulously animates into short films that tell haunting, evocative stories. In 3-D!

The artist will discuss her career and current work as part of Medium’s Present Tense lecture series at 11:00am on Sat., Oct. 28. Festival participants will be invited a free film screening with the artist at the Digital Gym beginning at 7:00pm. We’re honored to have Claudia Kunin’s lecture as part of the 2017 Festival.

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   © Claudia Kunin

 

Free Festival events and exhibitions!

Don’t miss the ongoing series of free events and exhibition receptions this fall. We kick things off with an exhibition by Morgan DeLuna, a participant in our Far Sight Mentorship program. The exhibition Morgan DeLuna: Phenotype opens at Subtext Gallery on Oct. 12. from 6-8pm. Additional free events include:

  • FLASH! Pop-Up Shop, Oct. 26, 7-10pm, Lafayette Hotel
  • Open Portfolio Walk with participating Portfolio Review photographers, Oct. 26, 7-10pm, Lafayette Hotel
  • Book signing with John Gossage, Oct. 27, 8-10pm, Lafayette Hotel
  • Size Matters exhibition reception, Oct. 28, 7-10pm, Helmuth Projects

Current Internet Photo Marketing Terms

Posted in Photo Art Business, Photography by Gerhard Clausing on August 19, 2017

Artsy.net is a third-party artist information organization that serves as an informational link between artists, galleries, and collectors. Their business model is to facilitate art sales and in the process, get a referral fee for this service.

For instance, here is a portion of the “Photography for sale” page:

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Artsy.net also provides educational functions, such as the ability to study the works of many photographers, painters, and other artists.

Recently Artsy.net provided some updated art buying definitions that reflects the move to virtual galleries, such as these:

Online Art Market The online art market includes all art objects available to buy and sell online, whether from galleries, auction houses, e-commerce companies, or online art platforms.

Brick-and-Click A gallery with both a physical location and an online presence.

Online Art Platforms Connect buyers and sellers around the world, enabling galleries, dealers, and auction houses to list their inventory online and connect with interested collectors, such as Artsy.com.

Online Buyer  A collector or prospective buyer who purchases art online, either through a third party platform like Artsy or directly from a gallery or auction house’s website.

SaaS An abbreviation that stands for “Software as a Service”. Artsy’s SaaS products, the Content Management System (CMS) and Folio, function as a comprehensive suite of digital tools that increase access to a gallery’s online platform.

Click-and-Buy Refers to a method that allows collectors to buy art directly through a website. On a third-party platform like Artsy, users can “click-and-buy” by pressing a single button from an artwork page that then sends a message to the gallery through CMS. In discussing the success of galleries online, Artsy.com discusses the difference between click-and-buy and pay-per-click which, alternatively, involves rerouting collectors interested in a work to auction houses and galleries.

Metadata Is data (information) that describes other data (information). In the context of the art-world, Metadata is information about artworks, artists, designers, and architects that serves to identify and classify them. For example, artwork dimensions, exhibition history, and an artist’s birthday all fall under the category of metadata.

Online Sale An online sale is “a sale where any part of the art sales process has an online element” (TEFAF Art Market Report: Online Focus). Similar to the means by which someone assess Art Fair sales, if the user discovers an art work on an online platform like Artsy and then purchases the work offline with the gallery, the sale is still considered an ‘online sale’ because the online platform facilitates the initial connection between user and gallery.

SEO An abbreviation that stands for “Search Engine Optimization”, is the process of affecting the visibility of a website or page in organic search results. SEO includes anything you can do to get your website content to show up higher in an internet search, and more frequently, on search engines like Google.

Confirmed Buyer Once a sale on has been verified by the gallery or collector, such as with Artsy.com the user receives Artsy Confirmed Buyer (ACB) status. Identifying ACBs could increases the quality of a gallery’s experience on Artsy and is a reciprocal process for all partners, ensuring that all future galleries can proceed confidently when they receive a new inquiry.

Each of the definitions is followed by further explanation and context. Very useful; check it out here!

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Portfolio Reviewer for LACP

Posted in Juried opportunities, Photo Art Business, Photographers, Photography, tPE members by douglaspstockdale on August 5, 2017

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Dawn Watson, dnj Gallery, Santa Monica, CA copyright 2017 Douglas Stockdale

This last month I was a guest portfolio reviewer for the LACP (Los Angeles Center of Photography) EXPOSURE 2017 portfolio reviews at the dnj Gallery in Santa Monica’s Bergamont (Arts) Station.

Overall it was a great experience as a portfolio reviewer as I was introduced to some very intriguing and well thought out photographic projects. It should probably come as no surprise that many of the photographers and artists were interested in spending time with me regarding my assessment about these projects being published.

One of the most frequent questions I am asked before one of these events; how does one prepare for a portfolio review? Since the review is scheduled for only 20 minutes, everyone is always surprised in how quickly this time slips by. First just about everyone brings too many photographs and supporting materials probably in the hopes that a reviewer will be able to see it all and still have time to provide some wise advice. Nope that usually does NOT happen.

Second, as a portfolio reviewer I start each discussion with three requests: tell me about yourself, tell me about the portfolio we are going to review and what is it you would like to obtain feedback from me about your project that might help you to move it forward?

Reviewers would like to know a little bit about who they are talking to; not your life story, but a quick 2 minute bio, which I call an elevator speech. Same for the portfolio (maybe a photographic project), for the photographer/artist to provide some context as to what is going to be reviewed, again perhaps 1-2 minutes, another elevator speech. Last, what is it you need from the review? Some examples: feedback on the editing of the photographs, are the images technically acceptable, could this sequence or series work in a book layout, are the photographs consistent with the artistic statement, etc.

Third, plan on reviewing only one portfolio with each reviewer, you can bring more portfolios, but you will only have real quality time to spend on one with each reviewer. In most portfolio reviews the artist/photographer might be meeting with a series of different portfolio reviewers and it is appropriate to select a portfolio that is relevant to a specific reviewer. In my case, most wanted me to review their book dummy’s or portfolios that they were thinking about having published.

Fourth, plan on having less than 15 prints in the portfolio to have reviewed. In many cases we did not get through all 15 prints during our 20 minute session. You should want quality time/discussion for each image and how these images relate to each other. This exchange takes time when it results in a give and take discussion.

Bring something to take notes and one photographer recorded our review session. Each portfolio reviewer is an individual with a point of view, which may be very different from yours, so don’t become defensive if the reviewer does not see or understand what you are trying to communicate with your photographic prints. One key purpose of coming to a portfolio review is to get a broader exposure to your work and have others talk about what they see. If you are doing more talking than listening, then you are not going to obtain the full benefit of this occasion.

Last, leave something behind, perhaps as simple as a business card (yes, one person left me with one of their books) to help the reviewer remember who you are (I did 12 portfolio reviews on Saturday and names and projects began to blur at the end of the day) and then follow up with a nice email note a couple of days after the event.

Reviewers are there to help you and if they can point you in a direction or make an follow on introduction, they usually will. I had a short list of introductions and follow-up items that I had promised and these are just about completed, as it takes a few days to get organized. Also realized that these are good events to network with the other photographers and artist who are participating in the reviews as you never can tell what might come up during a side discussion.

Note: I had not realized at the time I took the photograph of Dawn Watson, above, that the large red photograph behind me was going to reflect so much pink color on Watson’s self-published book. Below is a better representation of her book “Trees” ( & thanks to Watson for providing a better photograph) and a nice follow-up email regarding our review time together. well done.

Cheers!

Douglas Stockdale, Publisher

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LACP portfolio reviews – EXPOSURE 2017

Posted in Photo Art Business, Photographers, Photography, tPE members by douglaspstockdale on May 13, 2017

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Gerhard Clausing’s portfolio, EXPOSURE 2016, copyright 2016 Douglas Stockdale

LACP (Los Angeles Center for Photography) has just announced the dates for EXPOSURE 2017, their three day portfolio review event. I am very honored to be among a diverse and broad group of portfolio reviewers again this year. Similar to last year, I will be providing portfolio reviews on Sunday, July 16th, from 9:30 to 5:00 pm at the dnj gallery in Bergamont Station, Santa Monica (CA).

These portfolio reviews are always great events to network and have your work seen and discussed. As a reviewer, I have found this to be a wonderful opportunity to hear and see photographic projects that are in the various stages of development. As a networking event, myself included, a chance to meet up with reviewers, make a stronger personal relationship and as importantly, network with fellow photographers in between sessions. As you might imagine, I am very intrigued with portfolio’s that are intended to become photographic books.

Dates & Places:

Friday, July 14, 9:30 am – 5 pm (at LACP facilities, Los Angeles, CA)

Saturday and Sunday, July 15-16, 9:30 am – 5 pm (at dnj Gallery, Bergamont Station, Santa Monica, CA)

Early bird registration!

Early Bird Pricing (ends June 7, 2017)
$475 ($450 Members) for 8 reviews
$325 ($300 Members) for 5 reviews

Regular Pricing (after June 7, 2017)
$500 ($475 Members) for 8 reviews
$350 ($325 Members) for 5 reviews

Reviewers include (besides your truly):

Elizabeth Avedon, Curator and Contributor, L’Oeil de la Photographie
Sherrie Berger, Photo Consultant
Rudi Bianchi, Photo Collector
Jonathan Blaustein, Writer and Contributor, NYTimes Lensblog and Photo Editor
Susan Burnstine, Contributor, B+W Magazine (UK)
Marisa Caicholo, Curator, Building Bridges Art Exchange, Casablanca Biennale
Kai Caemmerer, Curator, SFO Museum
Brittany Cernansky*, Art Producer, Saatchi & Saatchi
Brian Paul Clamp, Director, Clamp Art
Shana Nys Dambrot, Art Critic and Curator, Art Share LA Board Member
Crista Dix, Founder and Director of wall space gallery
Emily Gonzalez-Jarrett, Curatorial Associate, Hammer Museum
Nick Haymes, Owner/Director, Little Big Man Gallery
Pamela Hassell, Photo Editor, Associated Press
Maiza Hixson, Curator and Co-Director of Santa Barbara CAST
Sarah Lee, Independent Curator
Kaycee Olsen, Director, Kopeikin Gallery
Eve Schillo*, Curatorial Assistant, Photo Department, LACMA
Gabrielle Sirkin, Freelance Photo Editor, AirB&B magazine
Aline Smithson, Founder/Editor Lenscratch.com
Douglas Stockdale, Founder/Editor of The PhotoBook journal
Heather Strobo, Curator, The Porch Gallery
Joanna Szupinska-Myers, Curator of Exhibitions, CA Museum of Photography
Paula Tognarelli, Executive Director, Griffin Museum of Photography

My friend Sarah Hadley will be providing a FREE LACP portfolio review prep talk on June 14th. So if you have not participated in a portfolio review before or it has been a while since you last participated and need a “rust remover”, a great discussion about what to do and as important, what not to do, for a portfolio review session. The review sessions are relatively brief, 20 minutes, and time flies by fast, so you want to make a lasting impression and being prepared with your portfolio, the “leave-behind” and a short rehearsal of your “elevator speech” will be well served.

I am looking forward to seeing you there!

Cheers,

Douglas Stockdale

Douglas Stockdale – two photographic book workshops with LACP

Posted in Books & Magazines, Photo Art Business, Photo Workshops, Photography, tPE members by douglaspstockdale on April 24, 2017

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Marketing Your Photo Book Copyright 2016/7 Douglas Stockdale

I am very excited to announce that I will be providing two more photobook workshops in partnership with LACP (Los Angeles Center for Photography) at their Los Angeles facilities later this year. Both have a 20% early-bird sign up until May 26th.

Marketing Your Photo Book – This is a one-day workshop being held on Saturday, July 22nd. This workshop is is intended for photographers who are preparing to publish their work in book form, whether self-publishing or working with an established book publisher, and will provide creative and practical approaches to marketing their photo book.

The morning will be spent understanding your publishing objectives and how that translates to a marketing plan. This will include discussing the basic elements of a marketing plan; what is being published and sold, who might purchase it, where to sell it, how to price it and how and when to promote it. Issues to be discussed include; how soon to start working on a plan, book economics and buyers price points, buy or create a mailing list, selling self-published books, and do’s and don’ts of using social media and web sites. During the workshop, I am planning a series of breakout sessions to enable development of each person’s specific marketing plan for their book.

Introduction to Photo Book Design – This Fall (October 1 and 8th), I will be repeating my popular two-day workshop that focuses on the development of each person’s book dummy for their personal photographic project and provides both creative and practical book design options.

After a morning of studying limited edition artists’ books, trade books and zines, the remainder of the first session will be spent understanding students’ publishing objectives and how that translates to a book object. This will include time discussing the elements of book design and the purpose of a book-dummy, concluding with a hands-on fabrication of a saddle-stitch dummy book/zine. The second session delves into the business elements of (self) publishing a book and photo book production. The remainder of the day students will continue working on the development of their dummy book as a collaborative project.

I hope you can join me as these are intense, yet fun, workshops.

The workshops are being held at the LACP facilities: 1515 Wilcox Ave, Los Angeles, CA

Let me know if you have any questions,

Cheers!

Los Angeles Festival of Photography, April 17-23

Posted in Photo Art Business, Photo Workshops, Photograph Exhibits, Photographers, Photography, Uncategorized by Gerhard Clausing on April 12, 2017
Sharing this with all our Photo Exchange Friends!      —Gerry

Come Celebrate Photography!
Come to an incredible week of photography. Gain knowledge from remarkable leaders in photography. The Los Angeles Festival of Photography features workshops, exhibitions, special events, keynote lectures and seminars from world renowned photographers, museum curators and gallery directors. Sign up today!
LINK FOR FURTHER INFO:   http://www.laphotofestival.com
WORKSHOPS
  • April 18-20, 2017
    Fine Art Photography
    with Roger Ballen
    Only 2 Spots Left
  • April 18-20, 2017
    Urban and Landscape Photography
    with Karin Apollonia Müller
  • April 22-23, 2017
    Defining the Personal Narrative
    with Susan Burnstine
  • April 23, 2017
    Downtown LA Street Photography Walk and Workshop
    with Julia Dean
MOBILE PHOTOGRAPHY WORKSHOPS
  • April 22, 2017
    Life in layers – Creative iPhone Artistry
    with Nicki Fitz-Gerald
  • April 22, 2017
    Creating Conceptual Art on Mobile Devices
    with Bob Weil
  • April 22, 2017
    The iPhone Darkroom
    with David Ingraham

OTHER WORKSHOPS
  • April 21, 2017
    The Secrets of Professional-Quality Inkjet Printing Revealed
    with Master Printer Eric Joseph
  • April 21, 2017
    The Business of Photography

SPECIAL EVENTS
  • April 21, 2017
    Photo Independent Fair
    Photobook Independent
    Mobile Photography Show
    Lumiere Photography Awards
    Opening Night Party
  • April 22, 2017
    Champagne Breakfast With Los Angeles Museum of Contemporary Art (LACMA) Photography Curator Britt Salvesen
    with Britt Salvesen
  • April 22, 2017
    Keynote Speaker: Roger Ballen
    with Karin Apollonia Müller
  • April 22, 2017
    VIP Reception with Roger Ballen and Special Guests
    Limited Tickets | 7-9pm
  • April 23, 2017
    Keynote Speaker: Charlotte Cotton
    Photography Is Magic – Reframing Photographic Practices

BOOK SIGNINGS
  • Roger Ballen: Signing several of his books
  • Charlotte Cotton: Signing copies of Photography is Magic
  • Susan Burnstine: Signing copies of Absence of Being
  • Marjorie Salvaterra: Signing copies of Her


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269 S. Beverly Drive, #1234, Beverly Hills, CA 90212
thisisfabrik.com | fabrikguide.com

LACP Spring Open House

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Ciociaria published by Punctum Press, Rome, Italy

For those on the Left Coast, Los Angeles Center for Photography (LACP) is having a Spring Open House on March 18 & 19th, 2017 at their L.A. facility; 1515 Wilcox Ave., Los Angeles, California.

Over the two days there will be a series of events (see below) during which I have been asked to participate on Saturday to host a table of my personal photobooks, including Ciociaria and my artist book Pine Lake. Probably also have a portfolio as well. Nice!

And of course I will be discussing my Introduction to Photo Book Design workshop that begins on April 1st at LACP. I have told that there are a few remaining spots still available for this dynamic  two-Saturday workshop.

LACP Spring Open House:

Featuring on Saturday, March 18

NOTE: Saturday (not Sunday) is entirely FREE and open to the public. RSVP is not required.

Schedule:
10 am – Doors Open
11 am – Screening of the Robert Frank documentary film Don’t Blink. RSVP your seat to info@lacphoto.org. (Seating limited to 60. Outside of that standing room only.)
12:45 pm – Short presentations/demonstrations by various vendors
2-5 pm – Portfolio and book walk featuring the work of LACP Members

Throughout the day:
• Silent auction fundraiser to support LACP (preview images here: https://lacphoto.org/gallery/images-up-for-auction-2017/)
• Used photo equipment for sale (printers, darkroom equipment and more)
• Rare collector photo books for sale (some signed by artist)
• Various organizational vendors including ASMP Los Angeles, APA Los Angeles, Freestyle, Blurb, KEH Camera, The Artist Corner, The Impossible Project and Photo Independent/Fabrik Media
• KEH Camera buying used photographic equipment
• Raffle prize drawings
• Wine and beer served from 2-5 pm

Featuring on Sunday, March 19

• 18 “mini” classes and seminars.
NOTE: A one-day pass is $100 for Members; $200 for Non-Members. Individual classes are $20 for Members; $40 for Non-Members. Seating is limited.

To purchase classes individually, please click the corresponding class links below.

10:00 am:
1) “Portrait Studio Lighting” with Jennifer Emery
2) “Perfect Exposure” with Julia Dean
3) “Optimizing Your Images in Camera Raw Before using Photoshop” with Ed Freeman

11:00 am:
1) “How to use the Canon 600 EX RT Flash” with Julia Dean
2) “Introduction to the Holga” with Tom Alleman
3) “Black & White Conversion using Lightroom” with Rollence Patugan

12:00 pm:
1) “Custom White Balance” with Rollence Patugan
2) “The Singular Vision (Ways of Seeing)” with Andrew Southam
3) “Lightroom Slideshow Module: Show the World Your Talent” with Michael e. Stern

2:00 pm:
1) “Mastering the Core Features of Your Camera” with Ibarionex Perello
2) “Getting Known/Getting Shown: How to Get Your Photographs Out into the World” with Sarah Hadley
3) “How to Sequence and Design a Photo Book in Blurb” with Julia Dean

3:00 pm:
1) “How to Shoot Events” (And Making a Living)” with Kevin Weinstein
2) “Introduction to Instagram” with Kat Bawden
3) “Lightroom Develop Module: Breathing Life into RAW Files” with Michael e. Stern

4:00 pm:
1) “The Direct to Client Market” with Jennifer Emery
2) “Monitor Calibration: Why You Really Need to Calibrate Your Monitor and How To” with Eric Joseph

Cheers!