The Photo Exchange

LACP portfolio reviews – EXPOSURE 2017

Posted in Photo Art Business, Photographers, Photography, tPE members by douglaspstockdale on May 13, 2017

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Gerhard Clausing’s portfolio, EXPOSURE 2016, copyright 2016 Douglas Stockdale

LACP (Los Angeles Center for Photography) has just announced the dates for EXPOSURE 2017, their three day portfolio review event. I am very honored to be among a diverse and broad group of portfolio reviewers again this year. Similar to last year, I will be providing portfolio reviews on Sunday, July 16th, from 9:30 to 5:00 pm at the dnj gallery in Bergamont Station, Santa Monica (CA).

These portfolio reviews are always great events to network and have your work seen and discussed. As a reviewer, I have found this to be a wonderful opportunity to hear and see photographic projects that are in the various stages of development. As a networking event, myself included, a chance to meet up with reviewers, make a stronger personal relationship and as importantly, network with fellow photographers in between sessions. As you might imagine, I am very intrigued with portfolio’s that are intended to become photographic books.

Dates & Places:

Friday, July 14, 9:30 am – 5 pm (at LACP facilities, Los Angeles, CA)

Saturday and Sunday, July 15-16, 9:30 am – 5 pm (at dnj Gallery, Bergamont Station, Santa Monica, CA)

Early bird registration!

Early Bird Pricing (ends June 7, 2017)
$475 ($450 Members) for 8 reviews
$325 ($300 Members) for 5 reviews

Regular Pricing (after June 7, 2017)
$500 ($475 Members) for 8 reviews
$350 ($325 Members) for 5 reviews

Reviewers include (besides your truly):

Elizabeth Avedon, Curator and Contributor, L’Oeil de la Photographie
Sherrie Berger, Photo Consultant
Rudi Bianchi, Photo Collector
Jonathan Blaustein, Writer and Contributor, NYTimes Lensblog and Photo Editor
Susan Burnstine, Contributor, B+W Magazine (UK)
Marisa Caicholo, Curator, Building Bridges Art Exchange, Casablanca Biennale
Kai Caemmerer, Curator, SFO Museum
Brittany Cernansky*, Art Producer, Saatchi & Saatchi
Brian Paul Clamp, Director, Clamp Art
Shana Nys Dambrot, Art Critic and Curator, Art Share LA Board Member
Crista Dix, Founder and Director of wall space gallery
Emily Gonzalez-Jarrett, Curatorial Associate, Hammer Museum
Nick Haymes, Owner/Director, Little Big Man Gallery
Pamela Hassell, Photo Editor, Associated Press
Maiza Hixson, Curator and Co-Director of Santa Barbara CAST
Sarah Lee, Independent Curator
Kaycee Olsen, Director, Kopeikin Gallery
Eve Schillo*, Curatorial Assistant, Photo Department, LACMA
Gabrielle Sirkin, Freelance Photo Editor, AirB&B magazine
Aline Smithson, Founder/Editor Lenscratch.com
Douglas Stockdale, Founder/Editor of The PhotoBook journal
Heather Strobo, Curator, The Porch Gallery
Joanna Szupinska-Myers, Curator of Exhibitions, CA Museum of Photography
Paula Tognarelli, Executive Director, Griffin Museum of Photography

My friend Sarah Hadley will be providing a FREE LACP portfolio review prep talk on June 14th. So if you have not participated in a portfolio review before or it has been a while since you last participated and need a “rust remover”, a great discussion about what to do and as important, what not to do, for a portfolio review session. The review sessions are relatively brief, 20 minutes, and time flies by fast, so you want to make a lasting impression and being prepared with your portfolio, the “leave-behind” and a short rehearsal of your “elevator speech” will be well served.

I am looking forward to seeing you there!

Cheers,

Douglas Stockdale

Two Current Exhibits – Laguna Art Museum and LACMA

Posted in Art Museums, Uncategorized by Gerhard Clausing on May 5, 2017

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Wanted to call your attention to two interesting current exhibits:

The Laguna (Beach) Art Museum is featuring an extensive exhibit on the California School of Fine Arts’ first decade (now San Francisco Art Institute). Includes work by Ansel Adams, Edward Weston, and many others. Only through May 29. Some work by Hurrell is also on exhibit in a separate section. Saw it yesterday, well worth it!

Also, at the Los Angeles County Museum of Art (LACMA), an extensive exhibit on Moholy-Nagy, through June 18.

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Douglas Stockdale – two photographic book workshops with LACP

Posted in Books & Magazines, Photo Art Business, Photo Workshops, Photography, tPE members by douglaspstockdale on April 24, 2017

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Marketing Your Photo Book Copyright 2016/7 Douglas Stockdale

I am very excited to announce that I will be providing two more photobook workshops in partnership with LACP (Los Angeles Center for Photography) at their Los Angeles facilities later this year. Both have a 20% early-bird sign up until May 26th.

Marketing Your Photo Book – This is a one-day workshop being held on Saturday, July 22nd. This workshop is is intended for photographers who are preparing to publish their work in book form, whether self-publishing or working with an established book publisher, and will provide creative and practical approaches to marketing their photo book.

The morning will be spent understanding your publishing objectives and how that translates to a marketing plan. This will include discussing the basic elements of a marketing plan; what is being published and sold, who might purchase it, where to sell it, how to price it and how and when to promote it. Issues to be discussed include; how soon to start working on a plan, book economics and buyers price points, buy or create a mailing list, selling self-published books, and do’s and don’ts of using social media and web sites. During the workshop, I am planning a series of breakout sessions to enable development of each person’s specific marketing plan for their book.

Introduction to Photo Book Design – This Fall (October 1 and 8th), I will be repeating my popular two-day workshop that focuses on the development of each person’s book dummy for their personal photographic project and provides both creative and practical book design options.

After a morning of studying limited edition artists’ books, trade books and zines, the remainder of the first session will be spent understanding students’ publishing objectives and how that translates to a book object. This will include time discussing the elements of book design and the purpose of a book-dummy, concluding with a hands-on fabrication of a saddle-stitch dummy book/zine. The second session delves into the business elements of (self) publishing a book and photo book production. The remainder of the day students will continue working on the development of their dummy book as a collaborative project.

I hope you can join me as these are intense, yet fun, workshops.

The workshops are being held at the LACP facilities: 1515 Wilcox Ave, Los Angeles, CA

Let me know if you have any questions,

Cheers!

Annual Print Exchange meeting – March 16

Posted in Photographers, Photography, tPE members by douglaspstockdale on March 13, 2017

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Trubuco Canyon, 2016 copyright Douglas Stockdale

This week The Photographers Exchange is having the annual print exchange meeting. Except with a slight twist; everyone who brings a print will leave with some else’s print, it is just the print you leave with maybe different than the one your heart truly desires.

This turns into a fun and wacky meeting; first all of the prints are laid out and everyone has a change to pick their top three prints. The print with the highest score allows that photographer who brought the print to choose one of the other prints. The photographer whose print is just selected, then gets to choose one of the remaining prints. and so it goes. Typically as the night wears on, the selection of the available prints becomes more and more limited.

Meeting will be held (as usual)

Irvine Fine Arts Center (IFAC)

date & time: Thursday, March 16 starting at 5:30pm

So if you are in the O.C. area on Thursday, I hope you can make it (and bring a print! the only requirement to attend). There will also be some pizza, veggies, & soda.

BTW the print I will be bringing is featured above and is an open edition, 6″ x 6″ inkjet with archival white matte (11 x 14″) ready for framing. I think its a winner ;- )

Cheers!

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LACP Spring Open House

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Ciociaria published by Punctum Press, Rome, Italy

For those on the Left Coast, Los Angeles Center for Photography (LACP) is having a Spring Open House on March 18 & 19th, 2017 at their L.A. facility; 1515 Wilcox Ave., Los Angeles, California.

Over the two days there will be a series of events (see below) during which I have been asked to participate on Saturday to host a table of my personal photobooks, including Ciociaria and my artist book Pine Lake. Probably also have a portfolio as well. Nice!

And of course I will be discussing my Introduction to Photo Book Design workshop that begins on April 1st at LACP. I have told that there are a few remaining spots still available for this dynamic  two-Saturday workshop.

LACP Spring Open House:

Featuring on Saturday, March 18

NOTE: Saturday (not Sunday) is entirely FREE and open to the public. RSVP is not required.

Schedule:
10 am – Doors Open
11 am – Screening of the Robert Frank documentary film Don’t Blink. RSVP your seat to info@lacphoto.org. (Seating limited to 60. Outside of that standing room only.)
12:45 pm – Short presentations/demonstrations by various vendors
2-5 pm – Portfolio and book walk featuring the work of LACP Members

Throughout the day:
• Silent auction fundraiser to support LACP (preview images here: https://lacphoto.org/gallery/images-up-for-auction-2017/)
• Used photo equipment for sale (printers, darkroom equipment and more)
• Rare collector photo books for sale (some signed by artist)
• Various organizational vendors including ASMP Los Angeles, APA Los Angeles, Freestyle, Blurb, KEH Camera, The Artist Corner, The Impossible Project and Photo Independent/Fabrik Media
• KEH Camera buying used photographic equipment
• Raffle prize drawings
• Wine and beer served from 2-5 pm

Featuring on Sunday, March 19

• 18 “mini” classes and seminars.
NOTE: A one-day pass is $100 for Members; $200 for Non-Members. Individual classes are $20 for Members; $40 for Non-Members. Seating is limited.

To purchase classes individually, please click the corresponding class links below.

10:00 am:
1) “Portrait Studio Lighting” with Jennifer Emery
2) “Perfect Exposure” with Julia Dean
3) “Optimizing Your Images in Camera Raw Before using Photoshop” with Ed Freeman

11:00 am:
1) “How to use the Canon 600 EX RT Flash” with Julia Dean
2) “Introduction to the Holga” with Tom Alleman
3) “Black & White Conversion using Lightroom” with Rollence Patugan

12:00 pm:
1) “Custom White Balance” with Rollence Patugan
2) “The Singular Vision (Ways of Seeing)” with Andrew Southam
3) “Lightroom Slideshow Module: Show the World Your Talent” with Michael e. Stern

2:00 pm:
1) “Mastering the Core Features of Your Camera” with Ibarionex Perello
2) “Getting Known/Getting Shown: How to Get Your Photographs Out into the World” with Sarah Hadley
3) “How to Sequence and Design a Photo Book in Blurb” with Julia Dean

3:00 pm:
1) “How to Shoot Events” (And Making a Living)” with Kevin Weinstein
2) “Introduction to Instagram” with Kat Bawden
3) “Lightroom Develop Module: Breathing Life into RAW Files” with Michael e. Stern

4:00 pm:
1) “The Direct to Client Market” with Jennifer Emery
2) “Monitor Calibration: Why You Really Need to Calibrate Your Monitor and How To” with Eric Joseph

Cheers!

Ed Ruscha’s innovative photobook at OCMA

Posted in Art Museums, Photograph Exhibits, Photographers, Photography by douglaspstockdale on January 26, 2017

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Every Building on the Sunset Strip copyright 1966 Ed Ruscha

Currently OCMA (Orange County Museum of Art) is exhibiting Pop Art Design and included are a few works by Ed Ruscha, but probably the most photographically interesting is a very long display of Ed Ruscha’s 1966 creative photobook Every Building on the Sunset Strip.

This was a deadpan photographic project in which a 35mm motor-drive camera was load with a bulk feed and photographed the adjacent buildings while driving up and then back down Sunset Blvd, which was commonly called the Sunset Strip. The resulting photobook then takes advantage of the street name’s pun by creating a long continuous strip of images. On the top of the page is one side of the street and below this in reverse is the other side of this street.

This photobook design was very innovative for its time with stiff covers and the interior was bound to display as an accordion (also known as Leporello and Concertinas) layout, which is to say each page was connected and continuous. A very long strip of photographic images. My photographs of this exhibit were a grab shot and do not do it very much justice, thus go check it out and see the real thing!

The OCMA exhibition runs thru April 2nd, 2017.

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Landscapes: Call for Entries, Deadline Jan. 25, 2017

Posted in Juried opportunities, Photograph Exhibits, Photography, Uncategorized by Gerhard Clausing on January 5, 2017
The Center for Fine Art Photography
 

Image Credits: Bob Avakian and Robert Atwater
SUBMISSIONS DUE:  January 25, 2017                    Theme:  LANDSCAPES 2017

All artist renditions on the Landscapes theme, genres, capture types and photographic processes are eligible for selection by the juror.
   
Juror | Lisa Volpe
Lisa Volpe is the Associate Curator, Photography at the Museum of Fine Arts, Houston. She previously held several positions at the Wichita Art Museum and the Santa Barbara Museum of Art (SBMA). She served as a the Ralph M. Parsons Curatorial Fellow for the Wallis Annenberg Photography Department at the Los Angeles County Museum of Art (LACMA) and as the Case Western University Fellow in the photography department at  the Cleveland Museum of Art. She has contributed to and helped organize several collaborative exhibitions and publications including John Divola: As Far As I could Get, a collaboration between SBMA, LACMA, and the Pomona College Museum of Art.

HONORS | AWARDS
Juror’s Award| $400.00

Director’s Award | $200.00

Honorable Mention Awards: 1 year membership and a three image submission for an upcoming call for entry.
   
ARTIST IMMERSION WEEKEND
Artists selected for exhibition by our Juror are invited to attend the Artist Immersion Weekend at C4FAP in Fort Collins, Colorado. The immersion weekends include a lively public reception followed by a dinner on the town, a private portfolio review with the Juror and one with the Executive Director, artist group lunch and a portfolio share with professional development discussion. All selected artists are included in the Main Gallery Exhibition and Online Gallery seen by an international audience.
For More Information about Landscapes 2017 Call For Entries:


The Center for Fine Art Photography, 400 North College Ave., Fort Collins, CO 80524

Early bird discount for photobook workshop ends this Saturday

Posted in Photo Art Business, Photo Workshops, Photographers, Photography, tPE members by douglaspstockdale on December 16, 2016

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LACP Introduction to Photo Book Design, photo Douglas Stockdale

The early-bird registration discount of 20% for my Introduction to Photo Book Design workshop that I will be leading next April over two weekends will be ending midnight this Saturday, December 17th. This creative workshop is sponsored by Los Angeles Center of Photography (LACP).  So if you plan to be in the Southern California area (aka best-coast), time to check this workshop out and take advantage of this discount.

Could also be a wonderful Christmas present for someone special ;- )

Just saying…

your wonderful Editor.

 

Jason Fulford & Gregory Halpern – The Photographer’s Playbook

Posted in Books & Magazines, Photographers, Photography by douglaspstockdale on December 3, 2016

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Copyright 2014 Jason Fulford & Gregory Halpern published by Aperture

While in Santa Fe last month and visiting the photo-eye book store, I had an opportunity to purchase a copy of Jason Fulford and Gregory Halpern’s book The Photographer’s Playbook. The subtitle reveals the essentials of this book; 307 (photographic) Assignments and Ideas, which are distilled from 307 photographers, curators, photographic academia and workshop leaders, including Aline Smithson, Mark Steinmetz, Jim Goldberg, Stephen Shore, John Gossage and many more. From my perspective, this book draws heavily on a few photographic academia programs for BFA and MFA photographic degrees.

It appears that the book is focused on young and inexperienced photographers who are searching for the reason to be a fine art photographer (as part of a BFA/MFA program) or for a photographer who is stuck in a dry spell as to how to find conceptual ideas to development next. If you have the technical side of photography down then working through a bunch of these assignments could provide you with an equivalent BFA/MFA education as to the conceptual projects you work on. What may be missing is the group critiques offered in the academic programs and instructors that might challenge you (alternatively a best friend that can continue to say “No, try again, dig deeper”). So find a small group photographic/artist peers that you can count on to be candid and talk/show the work/assignments, a group who can say “Very cool, I see where you are going, keep at it, dig deeper”

To be candid, there are some ideas within this book that are similar to other ideas I have developed over the years to help me consider photographic options and move my concepts forward. I will continue to write about some of them, such as my post earlier this morning about experiment-play (games), a frequent idea (27 different variations) that is recommended in this book. In my case, experiment-play was what I was doing that led me to my Memory Pods project that I have been working on for just about three years. Recently, experiment-play is what inspired me to start the Middle Ground (aka Life in the Slow Lane) project earlier this year.

To be fully transparent, as a portfolio reviewer for LensCulture, we also provide some resource recommendations as part of the portfolio review and this book is one that I recommend to photographers who have a photo technique but appear to looking for a project to apply their process. Recommended!

Cheers,

Douglas Stockdale, Editor

(originally posted on Singular Images)

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FREE guide from LensCulture – Get exposure for you photography

Posted in Juried opportunities, Photo Art Business, Photographers, Photography by douglaspstockdale on November 29, 2016

LensCulture

LensCulture is now offering a FREE download (pdf) for their recent 2017 guide to help with gaining exposure for you fine art photographs, available here

I will have to admit that since I now work for lensCulture, I have a bit of a basis ;- )

Nevertheless, go check it out and I would like to hear back from you as to whether you think if this guide will make a difference for you in 2017.

Your truly, the Editor