The Photo Exchange

LACP Spring Open House

Ciociaria SOVRACOPERTA.indd

Ciociaria published by Punctum Press, Rome, Italy

For those on the Left Coast, Los Angeles Center for Photography (LACP) is having a Spring Open House on March 18 & 19th, 2017 at their L.A. facility; 1515 Wilcox Ave., Los Angeles, California.

Over the two days there will be a series of events (see below) during which I have been asked to participate on Saturday to host a table of my personal photobooks, including Ciociaria and my artist book Pine Lake. Probably also have a portfolio as well. Nice!

And of course I will be discussing my Introduction to Photo Book Design workshop that begins on April 1st at LACP. I have told that there are a few remaining spots still available for this dynamic  two-Saturday workshop.

LACP Spring Open House:

Featuring on Saturday, March 18

NOTE: Saturday (not Sunday) is entirely FREE and open to the public. RSVP is not required.

Schedule:
10 am – Doors Open
11 am – Screening of the Robert Frank documentary film Don’t Blink. RSVP your seat to info@lacphoto.org. (Seating limited to 60. Outside of that standing room only.)
12:45 pm – Short presentations/demonstrations by various vendors
2-5 pm – Portfolio and book walk featuring the work of LACP Members

Throughout the day:
• Silent auction fundraiser to support LACP (preview images here: https://lacphoto.org/gallery/images-up-for-auction-2017/)
• Used photo equipment for sale (printers, darkroom equipment and more)
• Rare collector photo books for sale (some signed by artist)
• Various organizational vendors including ASMP Los Angeles, APA Los Angeles, Freestyle, Blurb, KEH Camera, The Artist Corner, The Impossible Project and Photo Independent/Fabrik Media
• KEH Camera buying used photographic equipment
• Raffle prize drawings
• Wine and beer served from 2-5 pm

Featuring on Sunday, March 19

• 18 “mini” classes and seminars.
NOTE: A one-day pass is $100 for Members; $200 for Non-Members. Individual classes are $20 for Members; $40 for Non-Members. Seating is limited.

To purchase classes individually, please click the corresponding class links below.

10:00 am:
1) “Portrait Studio Lighting” with Jennifer Emery
2) “Perfect Exposure” with Julia Dean
3) “Optimizing Your Images in Camera Raw Before using Photoshop” with Ed Freeman

11:00 am:
1) “How to use the Canon 600 EX RT Flash” with Julia Dean
2) “Introduction to the Holga” with Tom Alleman
3) “Black & White Conversion using Lightroom” with Rollence Patugan

12:00 pm:
1) “Custom White Balance” with Rollence Patugan
2) “The Singular Vision (Ways of Seeing)” with Andrew Southam
3) “Lightroom Slideshow Module: Show the World Your Talent” with Michael e. Stern

2:00 pm:
1) “Mastering the Core Features of Your Camera” with Ibarionex Perello
2) “Getting Known/Getting Shown: How to Get Your Photographs Out into the World” with Sarah Hadley
3) “How to Sequence and Design a Photo Book in Blurb” with Julia Dean

3:00 pm:
1) “How to Shoot Events” (And Making a Living)” with Kevin Weinstein
2) “Introduction to Instagram” with Kat Bawden
3) “Lightroom Develop Module: Breathing Life into RAW Files” with Michael e. Stern

4:00 pm:
1) “The Direct to Client Market” with Jennifer Emery
2) “Monitor Calibration: Why You Really Need to Calibrate Your Monitor and How To” with Eric Joseph

Cheers!

Ed Ruscha’s innovative photobook at OCMA

Posted in Art Museums, Photograph Exhibits, Photographers, Photography by douglaspstockdale on January 26, 2017

ed_ruscha_sunset_strip_ocma_detail2

Every Building on the Sunset Strip copyright 1966 Ed Ruscha

Currently OCMA (Orange County Museum of Art) is exhibiting Pop Art Design and included are a few works by Ed Ruscha, but probably the most photographically interesting is a very long display of Ed Ruscha’s 1966 creative photobook Every Building on the Sunset Strip.

This was a deadpan photographic project in which a 35mm motor-drive camera was load with a bulk feed and photographed the adjacent buildings while driving up and then back down Sunset Blvd, which was commonly called the Sunset Strip. The resulting photobook then takes advantage of the street name’s pun by creating a long continuous strip of images. On the top of the page is one side of the street and below this in reverse is the other side of this street.

This photobook design was very innovative for its time with stiff covers and the interior was bound to display as an accordion (also known as Leporello and Concertinas) layout, which is to say each page was connected and continuous. A very long strip of photographic images. My photographs of this exhibit were a grab shot and do not do it very much justice, thus go check it out and see the real thing!

The OCMA exhibition runs thru April 2nd, 2017.

ed_ruscha_sunset_strip_ocma_exhibit

ed_ruscha_sunset_strip_ocma_detail

Early bird discount for photobook workshop ends this Saturday

Posted in Photo Art Business, Photo Workshops, Photographers, Photography, tPE members by douglaspstockdale on December 16, 2016

douglas-stockdale-1

LACP Introduction to Photo Book Design, photo Douglas Stockdale

The early-bird registration discount of 20% for my Introduction to Photo Book Design workshop that I will be leading next April over two weekends will be ending midnight this Saturday, December 17th. This creative workshop is sponsored by Los Angeles Center of Photography (LACP).  So if you plan to be in the Southern California area (aka best-coast), time to check this workshop out and take advantage of this discount.

Could also be a wonderful Christmas present for someone special ;- )

Just saying…

your wonderful Editor.

 

Jason Fulford & Gregory Halpern – The Photographer’s Playbook

Posted in Books & Magazines, Photographers, Photography by douglaspstockdale on December 3, 2016

jason-fulford-gregory-halpren-the-photograhpers-playbook-cover

Copyright 2014 Jason Fulford & Gregory Halpern published by Aperture

While in Santa Fe last month and visiting the photo-eye book store, I had an opportunity to purchase a copy of Jason Fulford and Gregory Halpern’s book The Photographer’s Playbook. The subtitle reveals the essentials of this book; 307 (photographic) Assignments and Ideas, which are distilled from 307 photographers, curators, photographic academia and workshop leaders, including Aline Smithson, Mark Steinmetz, Jim Goldberg, Stephen Shore, John Gossage and many more. From my perspective, this book draws heavily on a few photographic academia programs for BFA and MFA photographic degrees.

It appears that the book is focused on young and inexperienced photographers who are searching for the reason to be a fine art photographer (as part of a BFA/MFA program) or for a photographer who is stuck in a dry spell as to how to find conceptual ideas to development next. If you have the technical side of photography down then working through a bunch of these assignments could provide you with an equivalent BFA/MFA education as to the conceptual projects you work on. What may be missing is the group critiques offered in the academic programs and instructors that might challenge you (alternatively a best friend that can continue to say “No, try again, dig deeper”). So find a small group photographic/artist peers that you can count on to be candid and talk/show the work/assignments, a group who can say “Very cool, I see where you are going, keep at it, dig deeper”

To be candid, there are some ideas within this book that are similar to other ideas I have developed over the years to help me consider photographic options and move my concepts forward. I will continue to write about some of them, such as my post earlier this morning about experiment-play (games), a frequent idea (27 different variations) that is recommended in this book. In my case, experiment-play was what I was doing that led me to my Memory Pods project that I have been working on for just about three years. Recently, experiment-play is what inspired me to start the Middle Ground (aka Life in the Slow Lane) project earlier this year.

To be fully transparent, as a portfolio reviewer for LensCulture, we also provide some resource recommendations as part of the portfolio review and this book is one that I recommend to photographers who have a photo technique but appear to looking for a project to apply their process. Recommended!

Cheers,

Douglas Stockdale, Editor

(originally posted on Singular Images)

jason-fulford-gregory-halpren-the-photograhpers-playbook-1

FREE guide from LensCulture – Get exposure for you photography

Posted in Juried opportunities, Photo Art Business, Photographers, Photography by douglaspstockdale on November 29, 2016

LensCulture

LensCulture is now offering a FREE download (pdf) for their recent 2017 guide to help with gaining exposure for you fine art photographs, available here

I will have to admit that since I now work for lensCulture, I have a bit of a basis ;- )

Nevertheless, go check it out and I would like to hear back from you as to whether you think if this guide will make a difference for you in 2017.

Your truly, the Editor

Medium Festival of Photography: Oct. 20-23 in San Diego

Posted in Books & Magazines, Photo Art Business, Photograph Exhibits, Photographers, Photography by Gerhard Clausing on October 3, 2016

2016-10-03-Medium Festival of Photography 1.jpg

 

This year the Medium Festival of Photography will take place October 20-23, 2016, at the Lafayette Hotel in San Diego. This week of events, lectures, portfolio reviews, and book signings promises to be an exciting experience!

Registration open now through October 9.

More details at:   http://mediumsandiego.org/

 

Highlights of the Festival Lineup

http://mediumsandiego.org/portfolio/festival-events-at-a-glance/

All events take place at the Lafayette Hotel unless otherwise noted.

 

Thursday, Oct. 20

9:00 am – 5:00 pm  Eye to Eye Portfolio Reviews  (by appointment only)

7:00 – 9:00 pm  Open Portfolio Walk  (FREE!)

 

Friday, Oct. 21

9:00 am – 5:00 pm  Eye to Eye Portfolio Reviews  (by appointment only)

6:00 – 7:00 pm  VIP Reception  (VIP and Big Pass Holders only)

7:00 – 8:00 pm  Keynote Lecture with Penelope Umbrico

8:00 – 10:00 pm  Book Signing and reception with Penelope Umbrico

 

Saturday, Oct. 22

9:30 am  Second Sight lecture with Leonard Suryajaya

10:00 am – 3:00 pm  FLASH! Pop-Up Shop

11:00 am  Susan Rankaitis lecture

12:00pm  Susan Burnstine book signing  (FREE!)

12:00pm  Michael Lundgren book signing  (FREE!)

1:30 pm  Patrick Nagatani lecture

3:00 pm  Marisa Scheinfeld lecture

4:00pm  Marisa Scheinfeld book signing  (FREE!)

4:30 pm  Vincent Cianni lecture

5:30pm  Vincent Cianni book signing  (FREE!)

7:00 pm  Size Matters exhibition reception at Low Gallery  (FREE!)

7:00 pm  OpenShow San Diego

8:00 pm  Daylight Books Fall book launch and signing  (FREE!)

 

Sunday, Oct. 23

9:30 am  Collecting Contemporary Photography  (roundtable discussion)

10:00 am – 3:00 pm  FLASH! Pop-Up Shop

11:00 am  Matt Eich lecture

1:30 pm   Wayne Martin Belger lecture

 

2016-10-03-Medium Festival of Photography 2.jpg

 

Gerhard Clausing – LACP Members Show

Posted in Photo Galleries, Photograph Exhibits, Photographers, Photography, tPE members by douglaspstockdale on August 20, 2016

Gerhard_Clausing_Unself_No_13

Gerhard Clausing copyright 2016

Third Annual Los Angeles Center of Photography (LACP) Members’ Exhibition at the dnj Gallery in Bergamot Art Station

The exhibition will run from July 30 – August 27, 2016, with the opening night reception  held on Saturday, July 30, 6-8 pm 2016. The Los Angeles Center of Photography showcases our supporting Members’ work with an annual exhibition. The exhibition, normally programmed in July of each year, is open to Members’ only with the the opening reception at the dnj Gallery in Bergamot Station.

The juror for this exhibition is January Parkos Arnall, who is an interdisciplinary scholar and curator expert in photographic practice, theory and history, and grounded in modern and contemporary art movements in the United States. January is currently utilizing her comprehensive education in cultural studies and visual theory in her position within the curatorial department of the Hammer Museum in Los Angeles focusing on Public Engagement.

In discussing his photograph, Clausing states “This is one of a series of self-images that present anatomically ambiguous formations. Symmetry has always been a measure of beauty, yet here mirroring transforms normal body parts, such as a hand or a foot, into unexpected “scapes” and shapes, transporting the viewer to a world of fantasy. While evoking unexpected associations, these images are in the tradition of mutated body art and evoke both attraction and repulsion, as they challenge our notions concerning human appearance.”

dnj Gallery is located at Bergamot Station, 2525 Michigan Avenue, Suite J1, Santa Monica, CA 90404 & the admission and adjacent parking is free.

Ted Nichols – Solarized Duotones

Posted in Photographers, Photography, tPE members by douglaspstockdale on July 28, 2016

Ted_Nichols_duotone-train

Copyright 2016 Ted Nichols

Ted Nichols has been bringing to the PhotoExcahange meetings the past couple of years experimental solarized duotone photographic prints from his wet darkroom. On some occasions he has scanned the prints and made some further adjustments in Photoshop. He had learned this unique photographic process from Edmund Teske during one of Teske’s many Los Angeles workshops, which were held until Teske passed away in 1996. Essentially a wet darkroom process using black and white (B&W) paper in conjunction with light flashing and processing chemicals that creates unique colors on B&W printing paper.

Nichols will readily admit that each print is unique because he has really tried to duplicate a print, but due to the total randomness of the Teske solarized duotone process, each B&W solarized duotone print is almost guaranteed to be one of a kind. And it usually takes him four or five attempts to get a print that looks acceptable enough.

Nichols also laments that the current B&W printing papers do not have enough silver content and it is getting harder and harder to achieve the effects he wants.As a result, he has learned to work fast in the darkroom, because with the current B&W papers, the visual effect is fleeting and you need to move the print quickly to the next tray to stop and hold the effect. So he is constantly on the look out for expired old B&W printing papers.

Editors note: Freestyle, located in L.A., has information on a Chromoskedasic Sabatier wet darkroom chemical for a process that can achieve somewhat similar effects.

Cheers

Ted_Nichols_duotone-pier

Ted_Nichols_duotone-abstraction

Ted_Nichols_duotone-horse

Ted_Nichols_duotone-train_version2

Ellen Butler – IFAC All Media 2016

Posted in Photo Galleries, Photograph Exhibits, Photographers, Photography, tPE members by douglaspstockdale on July 20, 2016

ellen_butler_2

copyright Ellen Butler

I am very excited to announce that Ellen Butler, a member of the Photographers Exchange, was recently juried into the Irvine Fine Art Center (IFAC) All Media 2016 exhibition. The juror was Dan Cameron who most recently was the past Chief Curator for the Orange County Museum of Art (OCMA) and who is now an independent curator.

The All Media 2016 exhibition dates are September 3rd – October 22, 2016 at the Irvine Fine Art Center, 14321 Yale Ave., Irvine CA.

The opening reception is Saturday, September 3rd, from 4-6pm. Needless to say, I hope to see you there.

Cheers!

Irvine Fine Arts Center’s All Media 2016

Posted in Art Museums, Photo Galleries, Photograph Exhibits, Photographers, Photography, tPE members by douglaspstockdale on July 13, 2016

 

douglas_stockdale_loss_650px

Memory Pods – Loss 2014 copyright Douglas Stockdale

I am very excited and honored to announce that Loss from my Memory Pods project was juried into the Irvine Fine Arts Center (IFAC) All Media 2016 exhibition. The juror was Dan Cameron who most recently was the past Chief Curator for the Orange County Museum of Art (OCMA) and who is now an independent curator. This acceptance is another great validation on the response to my Memory Pods project that I received during Photo Independent earlier this year.

The All Media 2016 exhibition dates are September 3rd – October 22, 2016 at the Irvine Fine Art Center, 14321 Yale Ave., Irvine CA.

The opening reception is Saturday, September 3rd, from 4 – 6 pm

We hope to see you there!

Cheers!

Update: at the reception, my photograph was awarded a Honorable Mention. Very nice!