BC Space PX exhibition – photograph by Raquel Landworth-Kleinhenz
Last Thursday evening (July 9th, 2015) was a wonderfully well attended reception at the BC Space gallery for the Photographers Exchange exhibition opening. As stated in an earlier update, the exhibition will be on display through August 30th, 2015.
Following are some additional photographs from the opening reception;
Roger Bennett with his print
Douglas Stockdale with his two prints, photography by Diane Reeves
Photographer’s Exchange: L -R, Scott Mathews Water Drop, Larry Vogel Guardians of the Sacred, Michael Weitzman Without Love.
BC Space Gallery is pleased to present its new exhibition: The Photographer’s Exchange: A Quarter Century of Sharing the Light.
The Photographer’s Exchange was founded in 1990 by accomplished fine art photographers Larry Vogel and Larry Weise. They were joined shortly thereafter by avid collector Larry Pribble. The three Larrys as they became known, shared a passion for the art and exacting craft of photography and were seeking a way to share their enthusiasm with kindred spirits.
What began as the occasional gathering of a few fellow enthusiasts gradually evolved into a formal organization with dramatically expanded membership, and regular monthly meetings at which they shared information on traditional and new photographic techniques and processes, worthwhile exhibitions, and critiqued each others work.
Never a camera club, the Photo Exchange has remained focused on bringing its members together to enhance their visual literacy through freely sharing their passion and knowledge of the art of photography. This collection of work in this exhibition represents the culmination of twenty five years of “Sharing The Light” and clearly illustrates that the collective can indeed be greater than the sum of its parts.
There will be an opening reception for The Photographer’s Exchange: A Quarter Century of Sharing the Light on Thursday, July 9, 2015, from 6-9 PM at BC Space Gallery, 235 Forest Ave, Laguna Beach, CA 92651. The public is welcome and the event is free.
The exhibition will be on display through August 30. Normal gallery hours are 1-5 PM Fridays through Sunday.
For further information, check the website at www.bcspace.com or contact the gallery at (949) 497-1880. Additional contacts are: Scott Mathews (714) 345-7595, Bill Edwards (949) 307-5360, and Jim Koch (949) 646-2242.
Copyright Douglas Stockdale 2014, self-published Pine Lake
As a book artist and photobook specialist, this is the time of year that I provide kudo’s to all of the photographers, photobook designers, photobook publishers and the book artists who use photography as a part of their creative medium. .
What came as a very pleasant surprise is when the amazing NYC book designer Elizabeth Avedon (yes, a familiar last name to those following photography over the years) selected my artist book Pine Lake as one of her Best Photography Books of 2014. A total surprise as this is a very limited edition artist book (edition of 25 plus 2 A/P’s) and thus I am assuming not many have actually held or seen this.
What a sweet ending to the year and which reminds me that I need to get my butte back into gear and finish my next limited edition book Bluewater Shore, the second of the three photo-narratives planned for this series.
copyright Alejandro Cartagena, 2014 self-published – Carpoolers
Earlier today I posted the five photobooks that I had selected for Emaho magazine’s list of Interesting Photo Books for 2014. Since this short list was a bit daunting, I have made a broader selection to post on my photobook review blog, The PhotoBook.
So check it out to see which additional photographers and photobook titles I have chosen as Interesting Photobooks for 2014! https://thephotobook.wordpress.com/2014/12/19/interesting-photobooks-for-2014/
Copyright Ed Templeton 2014
As a photobook reviewer for Emaho magazine, I was asked by the Editor & Founder, Manik Katyal to provide my list of five Interesting Photobooks for 2014. This is pretty daunting as there were a number of awesome & brilliant photobooks published this year.
My list of five are:
Kate Nolan – Neither, self-published (Ireland)
Laia Abril – The Epilogue, published by Dewi Lewis (Spain/UK)
Ed Templeton – Random & Pointless, published by Deadbeat Club (SoCal/USA)
Julia Borissova – Running to the Edge, self-published (Russia)
Paula McCartney – A Field Guide to Snow and Ice published by Silas Finch (USA)
I was also joined by 14 other intentionally known photobook specialist including Martin Parr.
Copyright the photographers 2014 published by LensWork Publishing
I am very honored to announce that Brooks Jensen has selected one of images from the In Passing project that was published in the #74 edition of LensWork to include in his latest book Looking at Photographs.
Brooks Jensen is the Editor and Publisher of the LensWork journal and almost exclusively is focusing on Black and White photography. The bi-monthly journal is released concurrently in a print edition and a DVD that contains additional portfolios and audio interviews of the artist by Jensen.
He also publishes a series of blog posts that provide extensive homilies about a singular image from the LensWork journal portfolios, which Jensen has collected and becomes the source of this book. Jensen’s photographic essays are sequenced alphabetically as to the photographer work that he is discussing.
I have posted a expanded article about this book on The PhotoBook.
untitled (Irvine Fine Art Center, Irvine, CA) copyright 2014 Douglas Stockdale.
This month, the informal group known as the Photographers Exchange had a slight change of venue within the Irvine Fine Art Center. Instead of using one of the art classrooms, we had an opportunity to use the open space of the gallery and take advantage of the more informal setting. Personally, I thought that this was a great location for our group as it worked really well while discussing the photographic projects that were being presented.
Admittedly, it was a bit tight in the front for the usually five print stands and lights, but it worked. With some more tweaks, it could be a great location and I hope that we can take advantage of this space again.
As usual, there was a pretty diverse range of photographic projects being shared, some of which were interesting enough that the process stalled a bit, such that not everyone had an opportunity to discuss their projects. So a bunch of folks will carry over to the April meeting, since next month is the annual print exchange, see below.
For the March print exchange, it’s fairly simple, but we still find a way to make it into an interesting mess. Basic rule, you bring one photograph (matted or unmatted, but not framed) to exchange with the others and you leave with some ele’s photographic print. It’s how the prints get exchanged that get’s messy, but we usually have a lot of fun. Also it’s pizza and soft drink night, while someone also brings a plateful or two of cookies (the best part).
Last night I had a chance to get squeezed into the last discussion of the evening to show prints and the book dummy (maquette) for my next limited edition self-published book Bluewater Shore. nice.
Copyright Frank Cancian 2013 published by Delta 3 Edizioni
An anthropologist by training and a photographer as a passion, these two elements were fused together in 1957 when Frank Cancian investigated a small Italian hill-top community located east of Naples. This body of work could also pass for a photojournalist story found in either LIFE or LOOK magazines of this same period.
As a trained observer of culture and society, Cancian did not remain aloof and at a distance, but directly interacted with his subjects, catching them in self-reflection as well as allowing them to boldly face his lens. For a small Italian town, an Italian-American stranger with a camera was an oddity, thus his presence was conspicuous. Nevertheless, over time he was able to blend in and become more of an objective observer.
The book is divided into four sections; The Town, The Piazza, Procession of Our Lady of Graces and The Farm, all important elements to life in this region. The double page spread of a wedding progression as it snakes along the hilltop road winding through the town is beautifully composed. The light drizzle adds an interesting atmospheric effect. Cancian includes in the edge of the frame in the foreground a small knot of townspeople who although are not part of the wedding procession, are still very interested in the local event.
The hardcover book has an image wrap cover, with the texts in both Italian and English. The essays were provided by Franco Arminio, Rocco Pagnatiello and Frank Cancian. As Cancian is a member of the Photographers Exchange and a first generation American who family had emigrated from Italy, thus this is also part autobiographical story.
I am very thrilled to announce the publication of my hand made artist book Pine Lake. It is a semi-fictional narrative about a multi-generational summer rite. The fishing trip.
I recently discovered some family photographs of my grandfathers fishing, a passion of which was unknown to me. These small, worn photographs are talismans for the lost memories and stories of my family and led me to created this artist book to tell a story of what might have been. This artist book is part of my on-going series that investigates memory and its preservation.
It is presented in a style reminiscent of a promotional processing book common in the 1960′s produced by Kodak and Ansco, which could be purchase with a film processing order. The book is accompanied by a small collection of preserved ephemera.
Pine Lake is produced in a Limited Edition of 25, with a price of $100.00 USD per book.
The stiff cover book contains 17 black & white photographs with a printed and hand inscribed cover, hand assembled with metal prong binding, and contained inside a hand inscribed poly zip-lock bag with three pieces of ephemera; fishing stamp, fishing notice & a section of fishing line with small weight. The book and ephemera are housed in a custom made wood frame with a printed cover and an elastic band closure.
Exterior size is 8 1/2″ x 10″ x 7/16″ (210 mm x 250mm x 100mm)
The photographic images are anonymous and are from my private collection.