SoCal PhotoExchange

Three PX Members Featured in IFAC’s All Media 2017 Exhibition, Aug. 26 – Oct. 28

Posted in Photo Galleries, Photograph Exhibits, Photographers, Photography, tPE members by Gerhard Clausing on August 10, 2017

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In my first contribution as Editor, I am extremely pleased to report that three of our members made it into the “All Media 2017” Show at the Irvine Fine Arts Center: Paul Anderson, Gerhard Clausing, and Janos Lanyi – congratulations! Curated by the interdisciplinary artist Kim Abeles, the exhibition features painting, drawing, sculpture, photography, printmaking, ceramics, video, installation, and more. The Reception will be Saturday, August 26, from 4-6 p.m., with an Awards Ceremony at 4:45. The exhibition will run through October 28, Mo-Th 10 a.m.-9 p.m., Fr 10-5, Sa 9-5, closed Sundays. Opening reception, admission, and parking are free. Kim Abeles will also give an Artist Talk about her work on Saturday, September 23, 3:30 to 4:30. For all friends and relatives: Heritage Community Park, 14321 Yale Avenue, Irvine, CA. See you at IFAC!­

Paul Anderson’s photograph, entitled “Yellow-1,” is from his 2016 portfolio, “Floral Impressions.” He has shown us similarly intriguing images at our meetings:

PaulAnderson-Yellow-1©2016.jpg© Paul Anderson

My photograph is from the series “Selfscapes” that features my body in all its heights and depths, and is entitled “Nevertheless” to highlight the importance of keeping going as one observes one’s process of aging:

GerhardClausing-Nevertheless@2014.jpg© Gerhard Clausing

Janos Lanyi presents an abstract acrylic painting on canvas entitled “The Red House.” It is based on one of his trips to Spain, where he also photographed extensively, as you know from the enjoyable art that he shares from his many travels:

JanosLanyi-TheRedHouse©.jpg© Janos Lanyi

 

 

Portfolio Reviewer for LACP

Posted in Juried opportunities, Photo Art Business, Photographers, Photography, tPE members by douglaspstockdale on August 5, 2017

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Dawn Watson, dnj Gallery, Santa Monica, CA copyright 2017 Douglas Stockdale

This last month I was a guest portfolio reviewer for the LACP (Los Angeles Center of Photography) EXPOSURE 2017 portfolio reviews at the dnj Gallery in Santa Monica’s Bergamont (Arts) Station.

Overall it was a great experience as a portfolio reviewer as I was introduced to some very intriguing and well thought out photographic projects. It should probably come as no surprise that many of the photographers and artists were interested in spending time with me regarding my assessment about these projects being published.

One of the most frequent questions I am asked before one of these events; how does one prepare for a portfolio review? Since the review is scheduled for only 20 minutes, everyone is always surprised in how quickly this time slips by. First just about everyone brings too many photographs and supporting materials probably in the hopes that a reviewer will be able to see it all and still have time to provide some wise advice. Nope that usually does NOT happen.

Second, as a portfolio reviewer I start each discussion with three requests: tell me about yourself, tell me about the portfolio we are going to review and what is it you would like to obtain feedback from me about your project that might help you to move it forward?

Reviewers would like to know a little bit about who they are talking to; not your life story, but a quick 2 minute bio, which I call an elevator speech. Same for the portfolio (maybe a photographic project), for the photographer/artist to provide some context as to what is going to be reviewed, again perhaps 1-2 minutes, another elevator speech. Last, what is it you need from the review? Some examples: feedback on the editing of the photographs, are the images technically acceptable, could this sequence or series work in a book layout, are the photographs consistent with the artistic statement, etc.

Third, plan on reviewing only one portfolio with each reviewer, you can bring more portfolios, but you will only have real quality time to spend on one with each reviewer. In most portfolio reviews the artist/photographer might be meeting with a series of different portfolio reviewers and it is appropriate to select a portfolio that is relevant to a specific reviewer. In my case, most wanted me to review their book dummy’s or portfolios that they were thinking about having published.

Fourth, plan on having less than 15 prints in the portfolio to have reviewed. In many cases we did not get through all 15 prints during our 20 minute session. You should want quality time/discussion for each image and how these images relate to each other. This exchange takes time when it results in a give and take discussion.

Bring something to take notes and one photographer recorded our review session. Each portfolio reviewer is an individual with a point of view, which may be very different from yours, so don’t become defensive if the reviewer does not see or understand what you are trying to communicate with your photographic prints. One key purpose of coming to a portfolio review is to get a broader exposure to your work and have others talk about what they see. If you are doing more talking than listening, then you are not going to obtain the full benefit of this occasion.

Last, leave something behind, perhaps as simple as a business card (yes, one person left me with one of their books) to help the reviewer remember who you are (I did 12 portfolio reviews on Saturday and names and projects began to blur at the end of the day) and then follow up with a nice email note a couple of days after the event.

Reviewers are there to help you and if they can point you in a direction or make an follow on introduction, they usually will. I had a short list of introductions and follow-up items that I had promised and these are just about completed, as it takes a few days to get organized. Also realized that these are good events to network with the other photographers and artist who are participating in the reviews as you never can tell what might come up during a side discussion.

Note: I had not realized at the time I took the photograph of Dawn Watson, above, that the large red photograph behind me was going to reflect so much pink color on Watson’s self-published book. Below is a better representation of her book “Trees” ( & thanks to Watson for providing a better photograph) and a nice follow-up email regarding our review time together. well done.

Cheers!

Douglas Stockdale, Publisher

dawn_watson_wild-things-live-here-3a.jpg

 

Gerhard Clausing takes over as Editor of The SoCal Photo Exchange

Posted in Photographers, Photography, tPE members by douglaspstockdale on August 3, 2017

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Gerhard Clausing, Bodyscapes, copyright 2016

I am very excited to announce that Gerhard “Gerry” Clausing is the new Editor of The SoCal Photo Exchange. This is an on-line journal which covers photographic events, exhibitions and other news in Southern California. Previously Clausing was a Contributing Writer while recently functioning as the acting-Editor for this photo-blog in conjunction with being the Associate Editor of the The PhotoBook Journal.

I am looking forward to his leadership of this photographic venue as a site to capture the diversity of the Southern California photographic community. I have enjoyed collaborating with him as we have participated in photographic workshops, and covered the LA Art Book Fair, Photo Independent and now anticipating the Medium Festival in San Diego.

Please join me in welcoming Gerry to this well-deserved position.

Cheers!

Douglas Stockdale

Publisher & Founder (2008), The SoCal Photo Exchange

About Gerhard Clausing; with a Ph.D. in linguistics and literature from UC Berkeley and a career as tenured USC professor with numerous publications behind him, he is now happy to concentrate on his visual adventures. He studied at Otis, Brooks, and the Los Angeles Center of Photography (LACP) and has been featured on Lenscratch, Blur Magazine, Black&White Magazine, Le Journal de la Photographie, Black and White Spider Awards, Houghton Mifflin. He has exhibited at LACP, dnj Gallery (Santa Monica, CA), PhotoPlace Gallery (Vermont), Kiernan Gallery, Julia Dean Gallery (Venice and Hollywood), Perfect Exposure Gallery (Los Angeles), Irvine Fine Arts Center (Irvine, CA), and Art Basel Miami, among others.​ He is the Associate Editor of the The PhotoBook Journal.

About The Photographers Exchange; an informal organization of creative photographers who meet at the Irvine Fine Arts Center (Irvine, CA) on the third Thursday of each month at 6:30 pm. Participants can bring up to five pieces of work for presentation and evaluation by the group. The organization is open to all photographers and artist who would like to participate.

Bodyscapes, copyright 2016

Unself Selfie

Interview: Michael Weitzman – CollectorWorks

Posted in Photographers, Photography, tPE members by douglaspstockdale on June 5, 2017

AyeCalypso

Photographs copyright Michael Weitzman

This is the second of a series of interviews of photographers who are or have been members of The Photographers Exchange, a group of photographers and artist that meets monthly at the Irvine Fine Arts Center (IFAC). Michael Weitzman has been regularly featured on YourDailyPhotograph and has recently become represented by CollectorWorks. This interview was about that transition. Previously we interviewed Jim McKinniss on his similar transition to be represented by CollectorWorks.

Editor, Douglas Stockdale (TPE): Michael thank you, we appreciate the opportunity to discuss your photographic background and what led you to become part of Daniel Miller’s CollectorWorks (CW). Since each of you have a diverse style, perhaps it would be a good start if you could describe what you photograph and how you then process that imagery?

Michael Weitzman (MW) I typically shoot with plastic and lo-fi cameras, which enables my imagination to roam freely seeking new narratives from the mundane and often overlooked subjects. I enjoy immensely the handmade print utilizing a variety of traditional and alternative processes.

TPE: One of the common threads for this series of photographer interviews is that each of you has a shared background of being part of The Photographers Exchange. How did participating in The Photographers Exchange monthly meetings prepare you for being included in CollectorWorks?

MW: The Photographers Exchange is a great forum to showcase your work and get feedback and ideas from a good cross section of artists. It also pushed me to not be a “one trick pony”.

TPE: What was the process that eventually led to being included in the CW? If I recall, you have been featured somewhat regularly on YourDailyPhotograph (YDP) prior to this.

MW: Credit is due to fellow member Jim McKinniss. Jim attended a group exhibition that had three of my photogravures. He approached me and said you should talk to Daniel Miller or at least sign up for YDP. Miller just might be interested. The rest is history.

TPE: Miller has been quoted as saying that he has a particular following and has a great idea of what will sell and what will not. Have you found that to be the case as well for the photographs you have had featured and sold?

MW: My first photo sale was from a “lith” print on YDP. I decided to hand deliver it and meet Miller. We had a good exchange and I left with the impression of the old APPLE Computer term “Think Different”. Subsequently, I have sold several photographs, mostly alternative processed either through YDP or CW.

TPE: It would appear that the CW is a virtual gallery, does Daniel Miller have any of your photographs in his inventory or is this truly a virtual gallery?

MW: Miller maintains an inventory of my photographs and occasionally will exhibit them along with others from CW at his Duncan Miller Gallery in Santa Monica.

TPE: As a result of being represented what other opportunities has this opened up for you?

MW: Lots of exposure, networking, and sales. For 2017 I was part of PHOTO L.A. and had the honor to present my work in front of many collectors and gallery owners. The energy and buzz was amazing !

TPE: What are the next steps that you now intend to take as a result of this representation?

MW: I’m thinking a book. The beauty of having my images presented thematically or as a story is very appealing to me.

TPE: If a photographer was interested in being represented by CollectorWorks, which recommendations would you offer?

MW: Find photographers, painters, sculptors, musicians that you admire and respect. Look at their work, study them. Rinse and repeat. Do work from the heart whatever that might be. Quoting Miles Davis “Sometimes you have to play a long time to be able to play like yourself”

TPE: Thank you, it was a pleasure to discuss this with you and we are wishing you success as you continue your creative endeavors.

MW: Doug, thank you very much for the opportunity. It was a pleasure.

BadMoonRising

giddy-up

HeyJoe

MummersDance

svelte

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Interview: Jim McKinniss – CollectorWorks

Posted in Photographers, Photography, tPE members by douglaspstockdale on June 1, 2017

Man in Black with Balloons Birds and Sphere

Photographs copyright Jim McKinniss

This is the first of a series of interviews of photographers who are or have been members of The Photographers Exchange. Jim McKinniss has been regularly featured on YourDailyPhotograph and has recently become represented by CollectorWorks. This interview was about that transition.

Editor, Douglas Stockdale (TPE): Thank you Jim, we appreciate the opportunity to discuss your photographic background and what led you to become part of Daniel Miller’s CollectorWorks. Since each of you have a diverse style, perhaps it would be a good start if you could describe what you photograph and how you then process that imagery?

Jim McKinniss (JM) Hello Doug. I have a rather eclectic portfolio of photographs. My current and past projects include a ten year project revolving around the annual Mask Festival in Venice, Italy,  the Los Angeles Metro,  Nudes in the landscape of the Badlands of South Dakota, Horses and the farmland around Santa Maria, CA where I currently live.

I make heavy use of Photoshop to do traditional wet darkroom type edits. For many of my photographs I will use texture layers to enhance images.

TPE: One of the common threads for this series of photographer interviews is that each of you has a shared background of being part of The Photographers Exchange. How did participating in The Photographers Exchange monthly meetings prepare you for being included in CollectorWorks?

JM: When I first began seriously making  photos about 12 years ago I attended my first Photographers Exchange meeting. In those meetings I saw a lot of great photography and participated in the friendly exchanges  about photography between members . I had the opportunity to see and discuss photos each month. I learned a lot about composition, printing, alternative ways of processing photos. Most importantly I learned how to read photographs and appreciate the artistic expression the members gave to their photos.

TPE: What was the process that eventually led to being included in the CollectorWorks? If I recall, you have been featured somewhat regularly on YourDailyPhotograph.com (YDP) prior to this.

JM: I met Daniel Miller a number of years ago when I visited his original gallery on Venice Blvd. in Los Angeles. Somehow that led me to subscribe to YDP. Through that  connection I found out that Daniel was was offering a free portfolio review. That was about 3 years ago.

I went to the review and at the end Daniel asked me to submit 6 of my images to YDP. Since then I have had my photos shown in 13 issues of YDP and have sold several photos through that exposure. Subsequently Daniel offered to represent my work through CollectorWorks.

TPE: Daniel Miller has been quoted as saying that he has a particular following and has a great idea of what will sell and what will not. Have you found that to be the case as well for the photographs you have had featured and which of these were the genre of images that sold?

JM: As I said, I have sold several of my photos through YDP. Since the work I submit covers a wide range of genre there is no specific one that I can point to as being the most popular with collectors.

Daniel definitely knows his collector base and is very aware of what they are interested in collecting. More than that Daniel travels, mostly to France I think, to art exhibitions to keep abreast of the status of the photography market.

TPE: It would appear that the ColllectorWorks is a virtual gallery, does Daniel Miller have any of your photographs in his inventory or is this truly a virtual gallery?

JM: It is a virtual gallery.

TPE: As a result of being represented by CollectorWorks what other opportunities has this opened up for you?

JM: CollectorWorks is only a few months old and I haven’t seen related opportunities arise as yet.

TPE: What are the next steps that you now intend to take as a result of this representation?

JM: Daniel Miller and CollectorWorks are the first  to offer representation of my work. I use that representation as part of my bio and for interview articles.  At this point I have not gone farther because of my travel schedule.

TPE: If a photographer was interested in being represented by CollectorWorks, which recommendations would you offer?

JM: Start by submitting photos to YDP.

TPE: Thank you, it was a pleasure to discuss this with you and we are wishing you success as you continue your creative endeavors.

JM: Thank you very much for your interest in my work and experiences Doug.

Tammy and Alex 2013-09-01 #4

Jaime 2012-12-04 #28

Rochelle 2008-05-23 #12

Denise 2008-05-23#14

Rain in Venice #4

LACP portfolio reviews – EXPOSURE 2017

Posted in Photo Art Business, Photographers, Photography, tPE members by douglaspstockdale on May 13, 2017

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Gerhard Clausing’s portfolio, EXPOSURE 2016, copyright 2016 Douglas Stockdale

LACP (Los Angeles Center for Photography) has just announced the dates for EXPOSURE 2017, their three day portfolio review event. I am very honored to be among a diverse and broad group of portfolio reviewers again this year. Similar to last year, I will be providing portfolio reviews on Sunday, July 16th, from 9:30 to 5:00 pm at the dnj gallery in Bergamont Station, Santa Monica (CA).

These portfolio reviews are always great events to network and have your work seen and discussed. As a reviewer, I have found this to be a wonderful opportunity to hear and see photographic projects that are in the various stages of development. As a networking event, myself included, a chance to meet up with reviewers, make a stronger personal relationship and as importantly, network with fellow photographers in between sessions. As you might imagine, I am very intrigued with portfolio’s that are intended to become photographic books.

Dates & Places:

Friday, July 14, 9:30 am – 5 pm (at LACP facilities, Los Angeles, CA)

Saturday and Sunday, July 15-16, 9:30 am – 5 pm (at dnj Gallery, Bergamont Station, Santa Monica, CA)

Early bird registration!

Early Bird Pricing (ends June 7, 2017)
$475 ($450 Members) for 8 reviews
$325 ($300 Members) for 5 reviews

Regular Pricing (after June 7, 2017)
$500 ($475 Members) for 8 reviews
$350 ($325 Members) for 5 reviews

Reviewers include (besides your truly):

Elizabeth Avedon, Curator and Contributor, L’Oeil de la Photographie
Sherrie Berger, Photo Consultant
Rudi Bianchi, Photo Collector
Jonathan Blaustein, Writer and Contributor, NYTimes Lensblog and Photo Editor
Susan Burnstine, Contributor, B+W Magazine (UK)
Marisa Caicholo, Curator, Building Bridges Art Exchange, Casablanca Biennale
Kai Caemmerer, Curator, SFO Museum
Brittany Cernansky*, Art Producer, Saatchi & Saatchi
Brian Paul Clamp, Director, Clamp Art
Shana Nys Dambrot, Art Critic and Curator, Art Share LA Board Member
Crista Dix, Founder and Director of wall space gallery
Emily Gonzalez-Jarrett, Curatorial Associate, Hammer Museum
Nick Haymes, Owner/Director, Little Big Man Gallery
Pamela Hassell, Photo Editor, Associated Press
Maiza Hixson, Curator and Co-Director of Santa Barbara CAST
Sarah Lee, Independent Curator
Kaycee Olsen, Director, Kopeikin Gallery
Eve Schillo*, Curatorial Assistant, Photo Department, LACMA
Gabrielle Sirkin, Freelance Photo Editor, AirB&B magazine
Aline Smithson, Founder/Editor Lenscratch.com
Douglas Stockdale, Founder/Editor of The PhotoBook journal
Heather Strobo, Curator, The Porch Gallery
Joanna Szupinska-Myers, Curator of Exhibitions, CA Museum of Photography
Paula Tognarelli, Executive Director, Griffin Museum of Photography

My friend Sarah Hadley will be providing a FREE LACP portfolio review prep talk on June 14th. So if you have not participated in a portfolio review before or it has been a while since you last participated and need a “rust remover”, a great discussion about what to do and as important, what not to do, for a portfolio review session. The review sessions are relatively brief, 20 minutes, and time flies by fast, so you want to make a lasting impression and being prepared with your portfolio, the “leave-behind” and a short rehearsal of your “elevator speech” will be well served.

I am looking forward to seeing you there!

Cheers,

Douglas Stockdale

Douglas Stockdale – two photographic book workshops with LACP

Posted in Books & Magazines, Photo Art Business, Photo Workshops, Photography, tPE members by douglaspstockdale on April 24, 2017

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Marketing Your Photo Book Copyright 2016/7 Douglas Stockdale

I am very excited to announce that I will be providing two more photobook workshops in partnership with LACP (Los Angeles Center for Photography) at their Los Angeles facilities later this year. Both have a 20% early-bird sign up until May 26th.

Marketing Your Photo Book – This is a one-day workshop being held on Saturday, July 22nd. This workshop is is intended for photographers who are preparing to publish their work in book form, whether self-publishing or working with an established book publisher, and will provide creative and practical approaches to marketing their photo book.

The morning will be spent understanding your publishing objectives and how that translates to a marketing plan. This will include discussing the basic elements of a marketing plan; what is being published and sold, who might purchase it, where to sell it, how to price it and how and when to promote it. Issues to be discussed include; how soon to start working on a plan, book economics and buyers price points, buy or create a mailing list, selling self-published books, and do’s and don’ts of using social media and web sites. During the workshop, I am planning a series of breakout sessions to enable development of each person’s specific marketing plan for their book.

Introduction to Photo Book Design – This Fall (October 1 and 8th), I will be repeating my popular two-day workshop that focuses on the development of each person’s book dummy for their personal photographic project and provides both creative and practical book design options.

After a morning of studying limited edition artists’ books, trade books and zines, the remainder of the first session will be spent understanding students’ publishing objectives and how that translates to a book object. This will include time discussing the elements of book design and the purpose of a book-dummy, concluding with a hands-on fabrication of a saddle-stitch dummy book/zine. The second session delves into the business elements of (self) publishing a book and photo book production. The remainder of the day students will continue working on the development of their dummy book as a collaborative project.

I hope you can join me as these are intense, yet fun, workshops.

The workshops are being held at the LACP facilities: 1515 Wilcox Ave, Los Angeles, CA

Let me know if you have any questions,

Cheers!

Annual Print Exchange meeting – March 16

Posted in Photographers, Photography, tPE members by douglaspstockdale on March 13, 2017

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Trubuco Canyon, 2016 copyright Douglas Stockdale

This week The Photographers Exchange is having the annual print exchange meeting. Except with a slight twist; everyone who brings a print will leave with some else’s print, it is just the print you leave with maybe different than the one your heart truly desires.

This turns into a fun and wacky meeting; first all of the prints are laid out and everyone has a change to pick their top three prints. The print with the highest score allows that photographer who brought the print to choose one of the other prints. The photographer whose print is just selected, then gets to choose one of the remaining prints. and so it goes. Typically as the night wears on, the selection of the available prints becomes more and more limited.

Meeting will be held (as usual)

Irvine Fine Arts Center (IFAC)

date & time: Thursday, March 16 starting at 5:30pm

So if you are in the O.C. area on Thursday, I hope you can make it (and bring a print! the only requirement to attend). There will also be some pizza, veggies, & soda.

BTW the print I will be bringing is featured above and is an open edition, 6″ x 6″ inkjet with archival white matte (11 x 14″) ready for framing. I think its a winner ;- )

Cheers!

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LACP Spring Open House

Ciociaria SOVRACOPERTA.indd

Ciociaria published by Punctum Press, Rome, Italy

For those on the Left Coast, Los Angeles Center for Photography (LACP) is having a Spring Open House on March 18 & 19th, 2017 at their L.A. facility; 1515 Wilcox Ave., Los Angeles, California.

Over the two days there will be a series of events (see below) during which I have been asked to participate on Saturday to host a table of my personal photobooks, including Ciociaria and my artist book Pine Lake. Probably also have a portfolio as well. Nice!

And of course I will be discussing my Introduction to Photo Book Design workshop that begins on April 1st at LACP. I have told that there are a few remaining spots still available for this dynamic  two-Saturday workshop.

LACP Spring Open House:

Featuring on Saturday, March 18

NOTE: Saturday (not Sunday) is entirely FREE and open to the public. RSVP is not required.

Schedule:
10 am – Doors Open
11 am – Screening of the Robert Frank documentary film Don’t Blink. RSVP your seat to info@lacphoto.org. (Seating limited to 60. Outside of that standing room only.)
12:45 pm – Short presentations/demonstrations by various vendors
2-5 pm – Portfolio and book walk featuring the work of LACP Members

Throughout the day:
• Silent auction fundraiser to support LACP (preview images here: https://lacphoto.org/gallery/images-up-for-auction-2017/)
• Used photo equipment for sale (printers, darkroom equipment and more)
• Rare collector photo books for sale (some signed by artist)
• Various organizational vendors including ASMP Los Angeles, APA Los Angeles, Freestyle, Blurb, KEH Camera, The Artist Corner, The Impossible Project and Photo Independent/Fabrik Media
• KEH Camera buying used photographic equipment
• Raffle prize drawings
• Wine and beer served from 2-5 pm

Featuring on Sunday, March 19

• 18 “mini” classes and seminars.
NOTE: A one-day pass is $100 for Members; $200 for Non-Members. Individual classes are $20 for Members; $40 for Non-Members. Seating is limited.

To purchase classes individually, please click the corresponding class links below.

10:00 am:
1) “Portrait Studio Lighting” with Jennifer Emery
2) “Perfect Exposure” with Julia Dean
3) “Optimizing Your Images in Camera Raw Before using Photoshop” with Ed Freeman

11:00 am:
1) “How to use the Canon 600 EX RT Flash” with Julia Dean
2) “Introduction to the Holga” with Tom Alleman
3) “Black & White Conversion using Lightroom” with Rollence Patugan

12:00 pm:
1) “Custom White Balance” with Rollence Patugan
2) “The Singular Vision (Ways of Seeing)” with Andrew Southam
3) “Lightroom Slideshow Module: Show the World Your Talent” with Michael e. Stern

2:00 pm:
1) “Mastering the Core Features of Your Camera” with Ibarionex Perello
2) “Getting Known/Getting Shown: How to Get Your Photographs Out into the World” with Sarah Hadley
3) “How to Sequence and Design a Photo Book in Blurb” with Julia Dean

3:00 pm:
1) “How to Shoot Events” (And Making a Living)” with Kevin Weinstein
2) “Introduction to Instagram” with Kat Bawden
3) “Lightroom Develop Module: Breathing Life into RAW Files” with Michael e. Stern

4:00 pm:
1) “The Direct to Client Market” with Jennifer Emery
2) “Monitor Calibration: Why You Really Need to Calibrate Your Monitor and How To” with Eric Joseph

Cheers!

Early bird discount for photobook workshop ends this Saturday

Posted in Photo Art Business, Photo Workshops, Photographers, Photography, tPE members by douglaspstockdale on December 16, 2016

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LACP Introduction to Photo Book Design, photo Douglas Stockdale

The early-bird registration discount of 20% for my Introduction to Photo Book Design workshop that I will be leading next April over two weekends will be ending midnight this Saturday, December 17th. This creative workshop is sponsored by Los Angeles Center of Photography (LACP).  So if you plan to be in the Southern California area (aka best-coast), time to check this workshop out and take advantage of this discount.

Could also be a wonderful Christmas present for someone special ;- )

Just saying…

your wonderful Editor.