|Sharing this with all our Photo Exchange Friends! —Gerry|
Trubuco Canyon, 2016 copyright Douglas Stockdale
This week The Photographers Exchange is having the annual print exchange meeting. Except with a slight twist; everyone who brings a print will leave with some else’s print, it is just the print you leave with maybe different than the one your heart truly desires.
This turns into a fun and wacky meeting; first all of the prints are laid out and everyone has a change to pick their top three prints. The print with the highest score allows that photographer who brought the print to choose one of the other prints. The photographer whose print is just selected, then gets to choose one of the remaining prints. and so it goes. Typically as the night wears on, the selection of the available prints becomes more and more limited.
Meeting will be held (as usual)
Irvine Fine Arts Center (IFAC)
date & time: Thursday, March 16 starting at 5:30pm
So if you are in the O.C. area on Thursday, I hope you can make it (and bring a print! the only requirement to attend). There will also be some pizza, veggies, & soda.
BTW the print I will be bringing is featured above and is an open edition, 6″ x 6″ inkjet with archival white matte (11 x 14″) ready for framing. I think its a winner ;- )
Ciociaria published by Punctum Press, Rome, Italy
For those on the Left Coast, Los Angeles Center for Photography (LACP) is having a Spring Open House on March 18 & 19th, 2017 at their L.A. facility; 1515 Wilcox Ave., Los Angeles, California.
Over the two days there will be a series of events (see below) during which I have been asked to participate on Saturday to host a table of my personal photobooks, including Ciociaria and my artist book Pine Lake. Probably also have a portfolio as well. Nice!
And of course I will be discussing my Introduction to Photo Book Design workshop that begins on April 1st at LACP. I have told that there are a few remaining spots still available for this dynamic two-Saturday workshop.
LACP Spring Open House:
Featuring on Saturday, March 18
NOTE: Saturday (not Sunday) is entirely FREE and open to the public. RSVP is not required.
10 am – Doors Open
11 am – Screening of the Robert Frank documentary film Don’t Blink. RSVP your seat to email@example.com. (Seating limited to 60. Outside of that standing room only.)
12:45 pm – Short presentations/demonstrations by various vendors
2-5 pm – Portfolio and book walk featuring the work of LACP Members
Throughout the day:
• Silent auction fundraiser to support LACP (preview images here: https://lacphoto.org/gallery/images-up-for-auction-2017/)
• Used photo equipment for sale (printers, darkroom equipment and more)
• Rare collector photo books for sale (some signed by artist)
• Various organizational vendors including ASMP Los Angeles, APA Los Angeles, Freestyle, Blurb, KEH Camera, The Artist Corner, The Impossible Project and Photo Independent/Fabrik Media
• KEH Camera buying used photographic equipment
• Raffle prize drawings
• Wine and beer served from 2-5 pm
Featuring on Sunday, March 19
• 18 “mini” classes and seminars.
NOTE: A one-day pass is $100 for Members; $200 for Non-Members. Individual classes are $20 for Members; $40 for Non-Members. Seating is limited.
To purchase classes individually, please click the corresponding class links below.
1) “Custom White Balance” with Rollence Patugan
2) “The Singular Vision (Ways of Seeing)” with Andrew Southam
3) “Lightroom Slideshow Module: Show the World Your Talent” with Michael e. Stern
1) “Mastering the Core Features of Your Camera” with Ibarionex Perello
2) “Getting Known/Getting Shown: How to Get Your Photographs Out into the World” with Sarah Hadley
3) “How to Sequence and Design a Photo Book in Blurb” with Julia Dean
1) “How to Shoot Events” (And Making a Living)” with Kevin Weinstein
2) “Introduction to Instagram” with Kat Bawden
3) “Lightroom Develop Module: Breathing Life into RAW Files” with Michael e. Stern
Every Building on the Sunset Strip copyright 1966 Ed Ruscha
Currently OCMA (Orange County Museum of Art) is exhibiting Pop Art Design and included are a few works by Ed Ruscha, but probably the most photographically interesting is a very long display of Ed Ruscha’s 1966 creative photobook Every Building on the Sunset Strip.
This was a deadpan photographic project in which a 35mm motor-drive camera was load with a bulk feed and photographed the adjacent buildings while driving up and then back down Sunset Blvd, which was commonly called the Sunset Strip. The resulting photobook then takes advantage of the street name’s pun by creating a long continuous strip of images. On the top of the page is one side of the street and below this in reverse is the other side of this street.
This photobook design was very innovative for its time with stiff covers and the interior was bound to display as an accordion (also known as Leporello and Concertinas) layout, which is to say each page was connected and continuous. A very long strip of photographic images. My photographs of this exhibit were a grab shot and do not do it very much justice, thus go check it out and see the real thing!
The OCMA exhibition runs thru April 2nd, 2017.
Reminder: Coming up right after the holidays: PhotoLA, January 12-15, 2017, the 26th ANNUAL INTERNATIONAL LOS ANGELES PHOTOGRAPHIC ART EXPOSITION (note: location in downtown LA below).
From the website:
will launch with the annual Opening Night Benefit on the evening of Thursday, Jan. 12, 2017 7-10 PM. The evening will benefit the Lucie Foundation, an outstanding international non-profit whose goal it is to “Honor Master Photographers, Discover and Cultivate Emerging Talent and Promote the Appreciation of Photography Worldwide.”
Public Exhibit Hours:
Friday, January 13, 11am – 7pm
Saturday, January 14, 11am – 7pm
Sunday, January 15, 11am – 6pm
The REEF/LA Mart
Los Angeles, Ca 90007
and Lucie Foundation are pleased to announce the first CONVERGE: 11 DAYS OF FEATURED PHOTOGRAPHIC PROGRAMMING. This initiative in which both organizations will collaborate to bring together photographic initiatives honoring all aspects of photography, will include multiple exhibitions, events and celebrations to be presented during this comprehensive 11-day period. Aligning with LA Arts Month in January, CONVERGE will provide destination programming where photo l.a., as the centerpiece, is surrounded by a robust Month of Photography Los Angeles (MOPLA) line-up. To accomplish this, for its ninth year, MOPLA moves from April to January 12 – February 12, 2017.
Cheers & hope to you there!
The early-bird registration discount of 20% for my Introduction to Photo Book Design workshop that I will be leading next April over two weekends will be ending midnight this Saturday, December 17th. This creative workshop is sponsored by Los Angeles Center of Photography (LACP). So if you plan to be in the Southern California area (aka best-coast), time to check this workshop out and take advantage of this discount.
Could also be a wonderful Christmas present for someone special ;- )
your wonderful Editor.
Copyright 2014 Jason Fulford & Gregory Halpern published by Aperture
While in Santa Fe last month and visiting the photo-eye book store, I had an opportunity to purchase a copy of Jason Fulford and Gregory Halpern’s book The Photographer’s Playbook. The subtitle reveals the essentials of this book; 307 (photographic) Assignments and Ideas, which are distilled from 307 photographers, curators, photographic academia and workshop leaders, including Aline Smithson, Mark Steinmetz, Jim Goldberg, Stephen Shore, John Gossage and many more. From my perspective, this book draws heavily on a few photographic academia programs for BFA and MFA photographic degrees.
It appears that the book is focused on young and inexperienced photographers who are searching for the reason to be a fine art photographer (as part of a BFA/MFA program) or for a photographer who is stuck in a dry spell as to how to find conceptual ideas to development next. If you have the technical side of photography down then working through a bunch of these assignments could provide you with an equivalent BFA/MFA education as to the conceptual projects you work on. What may be missing is the group critiques offered in the academic programs and instructors that might challenge you (alternatively a best friend that can continue to say “No, try again, dig deeper”). So find a small group photographic/artist peers that you can count on to be candid and talk/show the work/assignments, a group who can say “Very cool, I see where you are going, keep at it, dig deeper”
To be candid, there are some ideas within this book that are similar to other ideas I have developed over the years to help me consider photographic options and move my concepts forward. I will continue to write about some of them, such as my post earlier this morning about experiment-play (games), a frequent idea (27 different variations) that is recommended in this book. In my case, experiment-play was what I was doing that led me to my Memory Pods project that I have been working on for just about three years. Recently, experiment-play is what inspired me to start the Middle Ground (aka Life in the Slow Lane) project earlier this year.
To be fully transparent, as a portfolio reviewer for LensCulture, we also provide some resource recommendations as part of the portfolio review and this book is one that I recommend to photographers who have a photo technique but appear to looking for a project to apply their process. Recommended!
Douglas Stockdale, Editor
(originally posted on Singular Images)
LensCulture is now offering a FREE download (pdf) for their recent 2017 guide to help with gaining exposure for you fine art photographs, available here
I will have to admit that since I now work for lensCulture, I have a bit of a basis ;- )
Nevertheless, go check it out and I would like to hear back from you as to whether you think if this guide will make a difference for you in 2017.
Your truly, the Editor
To view or download:
I especially recommend the workshop on Photobook Design by our own Doug Stockdale, April 1 and 8, 10-6:
I also have taken workshops with Aline Smithson, Ken Merfeld, Phil Borges, and Nevada Wier; they are fabulous, as are others!