Photographers and Photography
Anthropogenic Crisis No. 065425 copyright 2021 Douglas Stockdale - This is the second of a two part series discussing color management. In my first article, here, there is a discussion of color calibrating a photographic process flow, usually the combination of monitor and printing equipment and related printing papers. The other aspect of color management... Continue Reading →
31.489400 34.937853 (Passages as Frame Shifts series) copyright Anat Icar Shoham 2021 - When I received a small portfolio of images from Anat Icar Shoham for a book workshop I was leading, the very first image I came across was this one, 31.489400 34.937853, above. At first I thought I was looking either an extremely... Continue Reading →
Untitled (Anthropogenic Crisis #192801) copyright 2021 Douglas Stockdale - As a visual artist that leans heavily into photography, which means I use a computer monitor a lot, I have become a real advocate of color management systems. This is a process that utilizes a color calibrated device (e.g. puck) in conjunction with supporting software that... Continue Reading →
Nick Brandt, The Day May Break, copyright 2021 - By Douglas Stockdale This question, 'do monochrome photos require pure blacks and whites?' was a somewhat rhetorical question that was asked by a good friend of mine on social media recently. This question may relate back to the years of modern photography espoused by photo-realist like... Continue Reading →
Review by Gerhard Clausing • When I was being trained in the field of psychotherapy, I always marveled at the physical spaces in which my mentors helped clients achieve progress in self-understanding and dealing with the world. I could see connections between the manner in which these facilitators set up their places of work and... Continue Reading →
by Douglas Stockdale • My experimentation/play series of organic abstraction during the COVID-19 pandemic has also included some printing evaluations using the dye sublimation printing process on clear base aluminum. I have been working with three west-coast California print labs on this printing project and they all have a slight variation on what to call this process... Continue Reading →
Review by Madhu Joseph John • Imagine yourself wandering around New York’s Canal Street, or London’s Piccadilly Circus, or a quiet neighborhood in the outskirts of Guadalajara, Mexico, or even a place twelve hours away across the Pacific Ocean, like the Bugis Street Market in Singapore. You are a photography enthusiast, an amateur or wannabe... Continue Reading →
Author and Photographer: Mark Edward Harris (lives in Southern California) Publisher: Routledge (Taylor & Francis Group), New York, NY (USA) and Abingdon (UK); © 2018 Paperback, 260 pages, 174 illustrations, 11 chapters Review by J. K. Lanyi This newly published book on travel photography by Mark Edward Harris is a must-read, and not only... Continue Reading →
Cover photograph: Detail of Curtis Moffat, Abstract Compositions, c.1925 Author and Curator: Martin Barnes, Senior Curator of Photographs at the Victoria and Albert Museum, London Publisher: Thames & Hudson, New York, NY, April 23, 2019; V&A Publishing; © 2018 Text: English Hardcover, 192 pages, 141 illustrations Review by Paul Anderson Cameraless Photography by... Continue Reading →
Registration for Exposure Weekend 2018 conducted by the Los Angeles Center of Photography is now in progress. The portfolio reviewers and workshop/seminar presenters this year are a particularly interesting group. You can get your work assessed, learn some new things, and meet some more fellow photographers! Highly recommended! EXPOSURE 2018 Friday – Sunday, July... Continue Reading →
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