2016 photo l.a. copyright 2016 Douglas Stockdale
I had an opportunity to join Hiroshi Watanabe at the Gala opening of photo l.a. (Thursday evening). Walking through a gallery (Fair) exhibition like photo l.a. provides an interesting snap-shot of some of the current trends in contemporary photography as well as bench mark for the market of earlier photographer’s work. Note: This is not the time or place for a photographer to try to button hole a gallery owner with a portfolio about one’s “great” photographs, but to take note of who is exhibiting what and to follow up with gallery owners afterward. Which is to say that you should at least introduce yourself!
The overall exhibition & gallery emphasis seemed to lean towards photographers who were or are now exploring conceptual projects. There were a couple of gallery’s who were showing early work by some documentary photographers, but usually limited to a few prints in their collection that were available for sale. As a disclaimer, the aisles were crowded, we were an hour late, so we moved through the exhibition hall at a decent pace. Nevertheless, there was still a lot of interesting and diverse collections of photographs to look at and study.
Note: this article was originally posted on my blog Singular Images.
Reminder: coming soon to the Left Coast; PhotoLA, January 21-24, 2016 (note: new location in LA)
From the web site: The international photographic art exposition – photo l.a. – will proudly celebrate its 25th anniversary fair this January 21-24, 2016 at The REEF, located in the historic LA Mart building in Downtown Los Angeles. The fair kicks off on Thursday, January 21st at 7pm with our Opening Night Gala, held in honor of artist James Welling with proceeds going to benefit Best Buddies International.
photo l.a. has a long and rich history of bringing the photographic and arts communities together. Each year we expand our uniquely diverse showcase of photographic art, ranging from 19th Century works to contemporary and innovative photo-based art. Galleries, dealers, museums, schools, and non-profit organizations participate to define what photography has been, what it is today, and what it might evolve into. To foster a dialogue we curate and present our acclaimed programming, which includes lectures, roundtable discussions, special installations, and docent tours with distinguished members of the photography/arts community.
Cheers & maybe see you there!
As part of the 2016 Photographers Exchange project to provide information on the public galleries of Southern California, I had a discussion with Ron Linden, the Curator and Director of the Los Angeles Harbor College (LAHC) Fine Arts gallery regarding exhibition submissions.
DS: Ron, first, thanks for your time to help explain the policies and processes for artist to provide submissions for the LAHC Fine Art Gallery. Does the Art Gallery have a specific schedule for when an artist can make a submission?
RL: Thanks for your inclusion of the LAHC Fine Arts Gallery on the reference page for The PhotoExchange. As to submission, I’m always open to submissions and proposals. An artist can submit by either email (firstname.lastname@example.org) or mailing the Art Gallery: LAHC Fine Arts Gallery, 1111 Figueroa Place, Wilmington, CA 90744
DS: Do you have any specific requirements for the artist submissions?
RL: Yes, I would like to see a CV and sample of the artworks, but please do not send me an artist statement. As to the artwork, please do not submit originals and the submission, including the sample artwork, will not be returned.
DS: Can you tell us about the process for the submission evaluation? Does the submission go before a exhibition review committee?
RL: We are a small organization, thus there is no review committee. We do not have a fixed calendar and our exhibition schedule is usually planned from six to twelve months. We are also open to guest curator proposals as well as artist submissions.
DS: Do you have any open calls regarding thematic subjects or are you looking for particular types of art work?
RL: At this time, we do not have any open calls. We are modest in size and budget, but immodest in ambition. The Fine Arts Gallery at Los Angeles Harbor College remains committed to producing high quality exhibitions by contemporary artists from the West Coast and beyond. Diverse and eclectic in scope, the gallery features work of painters, sculptors, photographers, videographers, filmmakers, and architects, providing an essential component to a meaningful arts education and a welcome antidote to the regimen of academic and workaday life.
DS: Ron, thank you for your insight on your curator processes for LAHC. We appreciate it very much.
RL: The pleasure was all mine. Thank you again for including LAHC on your reference page.
The annual powerHouse Portfolio Review – something to consider if you plan or want to be in Brooklyn, NY 10:30am – 5:30pm on Sunday, March 6, 2016
37 Main Street
Brooklyn, NY 11201
Registration is limited. Official registration deadline is February 15, 2016. Registration after February 15, 2016 is possible but not guaranteed. The late registration fee is $50.
For more information or if you have problems registering, please contact us.
Registration Fee for Five 20-minute Review Sessions:
EARLY BIRD SPECIAL Now through January 17, 2016: $350
Before Feb. 15, 2016 $400
After Feb. 15, 2016 (late registration fee) $450
Student Rate before Feb. 15, 2016 $250
After Feb. 15, 2016 $275
(With valid student ID—you must submit a valid and current Spring 2016 semester photo ID or a copy of your Spring 2016 class registration when completing the registration form.)
- Payment must be completed with a credit card at the time of registration.
- You will receive a confirmation email once your registration has been approved.
- Application is nontransferable.
Reviewers are subject to change, and we’ll continue to add more, so please keep checking back. Expect around 25-30 reviewers total.
Bonnie Briant – Designer, Yolanda Cuomo Design
Craig Cohen – Executive Publisher, powerHouse Books
Sarah Foster – Senior Creative Content Manager, Getty Images
Erik Hinton – Director of Interactive Media, VICE
Jeana Hong – Senior Art Buyer, Anthology Productions
Fiona Gardner – Photo Editor, Popular Photography and American Photo Magazine
Shana Lopes – Jane and Morgan Whitney Fellow, Department of Photographs, Metropolitan Museum of Art
Frank Meo – Director, Found Folios
Mandi Phillips – Agent, Levine / Leaitt
Daniel Power – CEO, NYPH & powerHouse Books
Josh Raab – Associate Photo Editor, TIME.com
Molly Roberts – Chief Photography Editor, Smithsonian Magazine
Michael Shulman – Director, Publishing, Broadcast and Film, Magnum Photos
Tess Vinnedge – Director of Contemporary Art, Edwynn Houk Gallery
BC Space PX exhibition – photograph by Raquel Landworth-Kleinhenz
Last Thursday evening (July 9th, 2015) was a wonderfully well attended reception at the BC Space gallery for the Photographers Exchange exhibition opening. As stated in an earlier update, the exhibition will be on display through August 30th, 2015.
Following are some additional photographs from the opening reception;
Roger Bennett with his print
Douglas Stockdale with his two prints, photography by Diane Reeves
Photographer’s Exchange: L -R, Scott Mathews Water Drop, Larry Vogel Guardians of the Sacred, Michael Weitzman Without Love.
BC Space Gallery is pleased to present its new exhibition: The Photographer’s Exchange: A Quarter Century of Sharing the Light.
The Photographer’s Exchange was founded in 1990 by accomplished fine art photographers Larry Vogel and Larry Weise. They were joined shortly thereafter by avid collector Larry Pribble. The three Larrys as they became known, shared a passion for the art and exacting craft of photography and were seeking a way to share their enthusiasm with kindred spirits.
What began as the occasional gathering of a few fellow enthusiasts gradually evolved into a formal organization with dramatically expanded membership, and regular monthly meetings at which they shared information on traditional and new photographic techniques and processes, worthwhile exhibitions, and critiqued each others work.
Never a camera club, the Photo Exchange has remained focused on bringing its members together to enhance their visual literacy through freely sharing their passion and knowledge of the art of photography. This collection of work in this exhibition represents the culmination of twenty five years of “Sharing The Light” and clearly illustrates that the collective can indeed be greater than the sum of its parts.
There will be an opening reception for The Photographer’s Exchange: A Quarter Century of Sharing the Light on Thursday, July 9, 2015, from 6-9 PM at BC Space Gallery, 235 Forest Ave, Laguna Beach, CA 92651. The public is welcome and the event is free.
The exhibition will be on display through August 30. Normal gallery hours are 1-5 PM Fridays through Sunday.
For further information, check the website at www.bcspace.com or contact the gallery at (949) 497-1880. Additional contacts are: Scott Mathews (714) 345-7595, Bill Edwards (949) 307-5360, and Jim Koch (949) 646-2242.
Next week is a fabulous time to make a trip to Los Angeles for anyone interested in art and photography. With three huge shows listed below, one can see the work of the hottest artists, up-and-coming artists, and tried-and-true masters. There is sure to be something to impress and inspire all working artists/photographers.
LA Art Show 2015: (Historic, Modern and Contemporary Art including Photography) at the Los Angeles Convention Center: (January 14-18) http://www.laartshow.com/ Discount tickets can be purchased through Groupon.
Photo LA: (The 24th Annual International Los Angeles Photographic Art Exposition) at THE REEF/LA Mart (January 15-18) This show includes docent tours and a number of classes for photographers and collectors. http://www.photola.com/
Classic Photographs LA: Galleries and dealers of classic photography at BONHAMS (January 17 & 18). See the work of masters of photography with many pieces quite reasonably priced. http://www.classicphotographsla.com/
Guest Contributor: Nancy Albright
dnj Gallery is pleased to announce its upcoming exhibitions, “Blinded by Science: Alaska/CaliforniaCollection” by Dan Shepherd and “Xradiography” by Allan Gill. Both exhibitions feature photographs that explore the interplay between science and art. With years of training in their respective scientific disciplines, the artist both use their expert knowledge as a starting point for works that include not just scientific analysis but also very personal perspectives on the natural world.
With an M.A. in Environmental Science from Columbia University and an International Diploma in
Plant Conservation from the Royal Botanic Gardens, Kew, England, Dan Shepherd uses his expert
knowledge of plants to capture their most interesting and graphic features. Shepherd develops a
layered, formal view of the environment by focusing on colors, shapes, and textures. As he
explains, he seeks to “use the power of abstraction to filter out the science details in his head” so
that he can focus on the purely visual elegance of nature and create almost portrait-like images of
trees, plants and landscapes. In this exhibition, he expands the breadth of his previous work by
photographing the characteristics of landscapes at two of his favorite botanical locations, Alaska and
California. Shepherd’s series is fundamentally about his return to seeing, rather than scientifically
analyzing, the natural world.
Shepherd currently works as both a visual artist and a conservation professional for organizations in
Los Angeles. His photographs have been exhibited in various locations throughout the country, and
have been featured in several recent publications, including “The Orion Magazine,” “The F-Stop
Magazine –Abstraction” and “Lenscratch.” This is Shepherd’s second solo exhibition at dnj Gallery.
After practicing veterinary medicine for decades, Allan Gill turned his medical X-ray equipment on
flowers and plants. His glowing images in Gallery II depict both the internal and external structures
of his subjects. As he explains, his “images are captured in much the same way as with conventional
photography, with the difference being instead of utilizing reflected light, I am able to utilize another
part of the electromagnetic spectrum….” Gill’s technique may seem simple but in fact is the result
of years of experimenting with different kinds of X-ray equipment to find the right combination of
conditions that would allow him to record the level of detail he desired.
Gill lives and works in Kelowna, British Columbia, Canada. In addition to establishing a growing
audience for his photography, Gill is also a veterinarian. His photographs have been exhibited in
Canada and sold in the United States and have been featured in LensWork Magazine, Focus
Magazine, American Art Collector, Color Magazine, ‘digitalis photo’ (Hungary), and Black and White
Photography (Britain). This is Gill’s first exhibition at dnj Gallery.
EXHIBITION: Dan Shepherd, “Blinded by Science: Alaska/California Collection”
Gallery II: Allan Gill, “Xradiography”
SHOW DATES: March 8 – April 26, 2014
RECEPTION: Saturday, March 8, 6 – 8 pm
GALLERY HOURS: Tues – Fri, 10 am – 5 pm; Sat, 10 am – 6 pm
dnj Gallery 2525 Michigan Avenue, suite J1, Santa Monica, CA 90404
For additional information or images, please contact Pamela Schoenberg at (310) 315-3551 or
By Jim McKinniss
M+B is pleased to present Jessica Eaton’s first Los Angeles exhibition, Polytopes. Eaton’s latest work views the world through the capabilities of photography using a wide array of experimental, analogue-based photographic techniques such as color separation filtration, additive color theory, multiple exposures, motion blur, in-camera masking, cross polarization and lighting techniques. Building on her highly reviewed series Cubes for Albers and LeWitt (cfaal) with Polytopes Eaton develops more configurations from repeated fragments, constructing sculptural works on sheets of large format film. The haunting, luminescent images bloom and grow before the viewer, the result of layered time and additive color theory. Polytopes runs from November 3, 2012 through January 5, 2013, with an opening reception for the artist on Saturday, November 3 from 6 to 8 pm.
Eaton shapes her latest artistic output “in camera” through multiple exposures and the use of different colored filters. In two new works, cfaal 276 and cfaal 279 the tactile, present nature of the work is exemplified through lush details of textured wood grain and large brush strokes radiantly depicted under added colors, their reflections offering up an engaging dimensionality to the work. Bold, vibrant angels energetically cut across space in Eaton’s Tri/Colour/Angles work, the moment of potential, surprise and experimentation revealed at their aligning points. The use of the artist’s studio as laboratory further expands in Eaton’s Interpolation Dramatizations and RGB Weaves – the artist’s analogue take on a digital solution. Through multiple exposures Eaton uses blur and stepped exposures to symbolize the bicubic smoother or Nearest Neighbor – interpolations algorithms used by imaging softwares such as Photoshop. Eaton’s process and the fascinating result is a conversation with the world, navigating the forces of time and space the viewer is presented with a striking sense of possibility.
Jessica Eaton (b. 1977, Regina, Saskatchewan) holds a BFA in photography from the Emily Carr Institute in Vancouver, British Columbia. Her work focuses on the possibilities of the medium and is often experimental in nature. Jessica has been the recipient of the Grand Prix du Jury for the Hyères Fashion and Photography Festival 2012, Foam International Photography Magazine Talent Call 2012, the Bright Spark Award for the Magenta Foundation Flash Forward Emerging Photographers from the UK, Canada and USA 2011, “Hey, Hot Shot”, Jen Bekman Gallery, 2010 and was awarded a Canada Council for the Arts research and creation grant 2011. Eaton’s photographs have been published in numerous publications including Foam, Border Crossings, The British Journal of Photography (cover March 2012), ARTnews (cover image March 2011), BlackFlash, Colour Magazine, Pyramid Power, Hunter and Cook and Lay Flat 02: Meta. Jessica Eaton lives and works in Montréal. This is her first solo exhibition at M+B.
For more info, please contact Alexandra Wetzel at M+B at (310) 550-0050 or email@example.com.
M+B Gallery is located at 612 North Almont Drive, Los Angeles, California 90069
This exhibition runs through December 22, 2012
By Jim McKinniss