The LA Art Book Fair will again be at the Geffen Contemporary at MOCA and will be another delightful maze of rooms with amazing displays of photobook and zines. This event has always been punctuated with some wonderful finds.
From Printed Matter:
Printed Matter presents the fourth annual LA Art Book Fair, from February 12 through 14, 2016, at The Geffen Contemporary at MOCA, Downtown LA. A ticketed preview will take place on Thursday, February 11, 6-9PM.
Free (another aspect of this event that I love) and open to the public, Printed Matter’s LA Art Book Fair is a (very) unique event for artists’ books, catalogs, monographs, periodicals, and zines presented by more than 300 presses, antiquarians, artists, and independent publishers from over 20 countries.
The LA Art Book Fair is the companion fair to the NY Art Book Fair, held every fall in New York City. Over 35,000 artists, book buyers, collectors, dealers, curators, independent publishers, and other enthusiasts attended the NY Art Book Fair in 2015.
A full list of this year’s exhibitors can be found here.
Highly recommended for those on living (or visiting) the Left Coast.
The annual powerHouse Portfolio Review – something to consider if you plan or want to be in Brooklyn, NY 10:30am – 5:30pm on Sunday, March 6, 2016
37 Main Street
Brooklyn, NY 11201
Registration is limited. Official registration deadline is February 15, 2016. Registration after February 15, 2016 is possible but not guaranteed. The late registration fee is $50.
For more information or if you have problems registering, please contact us.
Registration Fee for Five 20-minute Review Sessions:
EARLY BIRD SPECIAL Now through January 17, 2016: $350
Before Feb. 15, 2016 $400
After Feb. 15, 2016 (late registration fee) $450
Student Rate before Feb. 15, 2016 $250
After Feb. 15, 2016 $275
(With valid student ID—you must submit a valid and current Spring 2016 semester photo ID or a copy of your Spring 2016 class registration when completing the registration form.)
- Payment must be completed with a credit card at the time of registration.
- You will receive a confirmation email once your registration has been approved.
- Application is nontransferable.
Reviewers are subject to change, and we’ll continue to add more, so please keep checking back. Expect around 25-30 reviewers total.
Bonnie Briant – Designer, Yolanda Cuomo Design
Craig Cohen – Executive Publisher, powerHouse Books
Sarah Foster – Senior Creative Content Manager, Getty Images
Erik Hinton – Director of Interactive Media, VICE
Jeana Hong – Senior Art Buyer, Anthology Productions
Fiona Gardner – Photo Editor, Popular Photography and American Photo Magazine
Shana Lopes – Jane and Morgan Whitney Fellow, Department of Photographs, Metropolitan Museum of Art
Frank Meo – Director, Found Folios
Mandi Phillips – Agent, Levine / Leaitt
Daniel Power – CEO, NYPH & powerHouse Books
Josh Raab – Associate Photo Editor, TIME.com
Molly Roberts – Chief Photography Editor, Smithsonian Magazine
Michael Shulman – Director, Publishing, Broadcast and Film, Magnum Photos
Tess Vinnedge – Director of Contemporary Art, Edwynn Houk Gallery
Printed Matter’s (2015) LA Art Book Fair
This coming weekend on the Left Coast is what is becoming an annual event; Printed Matter’s LA Art Book Fair which will take place again at the Geffen Contemporary at MOCA.
As I have written about the past (2014) LA Art Book Fairs taking place at MOCA, this building is a maze of rooms, small hidden rooms, medium size display areas and a huge room usually reserved for the Zine world. A ton of books, magazines, zines that are new and old (“collectibles”) that can overwhelm the senses. Fortunately the food trucks out the front doors can provide sustenance to help you endure. In past years there was a section reserved for photobooks up on the mezzanine, but guessing there will be spot somewhere.
Preview Thursday 29th January, 6-9pm
Friday January 30th, 12–7pm
Saturday January 31st, 11-7pm
Sunday February 1st, 11-6pm
Also nice about this event: FREE Admission!
Douglas Stockdale, Founding Editor
Copyright Douglas Stockdale 2014, self-published Pine Lake
As a book artist and photobook specialist, this is the time of year that I provide kudo’s to all of the photographers, photobook designers, photobook publishers and the book artists who use photography as a part of their creative medium. .
What came as a very pleasant surprise is when the amazing NYC book designer Elizabeth Avedon (yes, a familiar last name to those following photography over the years) selected my artist book Pine Lake as one of her Best Photography Books of 2014. A total surprise as this is a very limited edition artist book (edition of 25 plus 2 A/P’s) and thus I am assuming not many have actually held or seen this.
What a sweet ending to the year and which reminds me that I need to get my butte back into gear and finish my next limited edition book Bluewater Shore, the second of the three photo-narratives planned for this series.
copyright Alejandro Cartagena, 2014 self-published – Carpoolers
Earlier today I posted the five photobooks that I had selected for Emaho magazine’s list of Interesting Photo Books for 2014. Since this short list was a bit daunting, I have made a broader selection to post on my photobook review blog, The PhotoBook.
So check it out to see which additional photographers and photobook titles I have chosen as Interesting Photobooks for 2014! https://thephotobook.wordpress.com/2014/12/19/interesting-photobooks-for-2014/
Copyright the photographers 2014 published by LensWork Publishing
I am very honored to announce that Brooks Jensen has selected one of images from the In Passing project that was published in the #74 edition of LensWork to include in his latest book Looking at Photographs.
Brooks Jensen is the Editor and Publisher of the LensWork journal and almost exclusively is focusing on Black and White photography. The bi-monthly journal is released concurrently in a print edition and a DVD that contains additional portfolios and audio interviews of the artist by Jensen.
He also publishes a series of blog posts that provide extensive homilies about a singular image from the LensWork journal portfolios, which Jensen has collected and becomes the source of this book. Jensen’s photographic essays are sequenced alphabetically as to the photographer work that he is discussing.
I have posted a expanded article about this book on The PhotoBook.
Copyright Frank Cancian 2013 published by Delta 3 Edizioni
An anthropologist by training and a photographer as a passion, these two elements were fused together in 1957 when Frank Cancian investigated a small Italian hill-top community located east of Naples. This body of work could also pass for a photojournalist story found in either LIFE or LOOK magazines of this same period.
As a trained observer of culture and society, Cancian did not remain aloof and at a distance, but directly interacted with his subjects, catching them in self-reflection as well as allowing them to boldly face his lens. For a small Italian town, an Italian-American stranger with a camera was an oddity, thus his presence was conspicuous. Nevertheless, over time he was able to blend in and become more of an objective observer.
The book is divided into four sections; The Town, The Piazza, Procession of Our Lady of Graces and The Farm, all important elements to life in this region. The double page spread of a wedding progression as it snakes along the hilltop road winding through the town is beautifully composed. The light drizzle adds an interesting atmospheric effect. Cancian includes in the edge of the frame in the foreground a small knot of townspeople who although are not part of the wedding procession, are still very interested in the local event.
The hardcover book has an image wrap cover, with the texts in both Italian and English. The essays were provided by Franco Arminio, Rocco Pagnatiello and Frank Cancian. As Cancian is a member of the Photographers Exchange and a first generation American who family had emigrated from Italy, thus this is also part autobiographical story.
I am very thrilled to announce the publication of my hand made artist book Pine Lake. It is a semi-fictional narrative about a multi-generational summer rite. The fishing trip.
I recently discovered some family photographs of my grandfathers fishing, a passion of which was unknown to me. These small, worn photographs are talismans for the lost memories and stories of my family and led me to created this artist book to tell a story of what might have been. This artist book is part of my on-going series that investigates memory and its preservation.
It is presented in a style reminiscent of a promotional processing book common in the 1960′s produced by Kodak and Ansco, which could be purchase with a film processing order. The book is accompanied by a small collection of preserved ephemera.
Pine Lake is produced in a Limited Edition of 25, with a price of $100.00 USD per book.
The stiff cover book contains 17 black & white photographs with a printed and hand inscribed cover, hand assembled with metal prong binding, and contained inside a hand inscribed poly zip-lock bag with three pieces of ephemera; fishing stamp, fishing notice & a section of fishing line with small weight. The book and ephemera are housed in a custom made wood frame with a printed cover and an elastic band closure.
Exterior size is 8 1/2″ x 10″ x 7/16″ (210 mm x 250mm x 100mm)
The photographic images are anonymous and are from my private collection.
Photographs copyright 2013 by Douglas Stockdale
We had the opportunity last night to join the second year anniversary party for As Issued, an art+design bookstore located in The Lab, a non-conventional shopping area located in Costa Mesa, CA. The evening’s exhibition was curated by Kevin Peterson, whom I captured standing in front of a part of the exhibition, below.
This bookstore has a small selection of contemporary photobooks. The eagle eye reader will spot the Edward Weston, 125 Photographs edited by Steve Crist and published in 2012 by AMMO books (LA, CA). This book really provides a nice selection of Weston’s oeuvre and it was still available at the bookstore, as I already have my own copy!
by Douglas Stockdale
10 x 10 American Photobooks, selection by Douglas Stockdale
Over the weekend, the second phase of the 10 x 10 American Photobooks reading room project was provided at the PGH Photo Fair held at the UnSmoke Systems Artspace (Braddock, PA). This is a continuation of a photobook project that was started in 2012 on Facebook, for which 10 curators chose 10 photobooks created by Japanese photographers. For 2013, the 10 x 10 emphasis was placed on American photographers, but limited to books that were published since 1985. There are two groups of curators, those who selected photobooks in which the photobook would be available as a physical object, to be held, read, and time spent at a venue called the reading room. The second group of curators, one of which I was fortunate to be a member of, made their selection of 10 photobooks and provided links on their web site. I had posted my selection of 10 photobooks on my blog The Photobook. which includes links to the reviews of almost all of the books I selected.
The reading room photobooks are now being packed for the final installation at the Tokyo Institute of Photography (Chuo-ku, Tokyo, Japan), which will take place September 11 thru October 6yh (2013).