Reminder: Coming up right after the holidays: PhotoLA, January 12-15, 2017, the 26th ANNUAL INTERNATIONAL LOS ANGELES PHOTOGRAPHIC ART EXPOSITION (note: location in downtown LA below).
From the website:
will launch with the annual Opening Night Benefit on the evening of Thursday, Jan. 12, 2017 7-10 PM. The evening will benefit the Lucie Foundation, an outstanding international non-profit whose goal it is to “Honor Master Photographers, Discover and Cultivate Emerging Talent and Promote the Appreciation of Photography Worldwide.”
Public Exhibit Hours:
Friday, January 13, 11am – 7pm
Saturday, January 14, 11am – 7pm
Sunday, January 15, 11am – 6pm
The REEF/LA Mart
Los Angeles, Ca 90007
and Lucie Foundation are pleased to announce the first CONVERGE: 11 DAYS OF FEATURED PHOTOGRAPHIC PROGRAMMING. This initiative in which both organizations will collaborate to bring together photographic initiatives honoring all aspects of photography, will include multiple exhibitions, events and celebrations to be presented during this comprehensive 11-day period. Aligning with LA Arts Month in January, CONVERGE will provide destination programming where photo l.a., as the centerpiece, is surrounded by a robust Month of Photography Los Angeles (MOPLA) line-up. To accomplish this, for its ninth year, MOPLA moves from April to January 12 – February 12, 2017.
Cheers & hope to you there!
The early-bird registration discount of 20% for my Introduction to Photo Book Design workshop that I will be leading next April over two weekends will be ending midnight this Saturday, December 17th. This creative workshop is sponsored by Los Angeles Center of Photography (LACP). So if you plan to be in the Southern California area (aka best-coast), time to check this workshop out and take advantage of this discount.
Could also be a wonderful Christmas present for someone special ;- )
your wonderful Editor.
Copyright 2014 Jason Fulford & Gregory Halpern published by Aperture
While in Santa Fe last month and visiting the photo-eye book store, I had an opportunity to purchase a copy of Jason Fulford and Gregory Halpern’s book The Photographer’s Playbook. The subtitle reveals the essentials of this book; 307 (photographic) Assignments and Ideas, which are distilled from 307 photographers, curators, photographic academia and workshop leaders, including Aline Smithson, Mark Steinmetz, Jim Goldberg, Stephen Shore, John Gossage and many more. From my perspective, this book draws heavily on a few photographic academia programs for BFA and MFA photographic degrees.
It appears that the book is focused on young and inexperienced photographers who are searching for the reason to be a fine art photographer (as part of a BFA/MFA program) or for a photographer who is stuck in a dry spell as to how to find conceptual ideas to development next. If you have the technical side of photography down then working through a bunch of these assignments could provide you with an equivalent BFA/MFA education as to the conceptual projects you work on. What may be missing is the group critiques offered in the academic programs and instructors that might challenge you (alternatively a best friend that can continue to say “No, try again, dig deeper”). So find a small group photographic/artist peers that you can count on to be candid and talk/show the work/assignments, a group who can say “Very cool, I see where you are going, keep at it, dig deeper”
To be candid, there are some ideas within this book that are similar to other ideas I have developed over the years to help me consider photographic options and move my concepts forward. I will continue to write about some of them, such as my post earlier this morning about experiment-play (games), a frequent idea (27 different variations) that is recommended in this book. In my case, experiment-play was what I was doing that led me to my Memory Pods project that I have been working on for just about three years. Recently, experiment-play is what inspired me to start the Middle Ground (aka Life in the Slow Lane) project earlier this year.
To be fully transparent, as a portfolio reviewer for LensCulture, we also provide some resource recommendations as part of the portfolio review and this book is one that I recommend to photographers who have a photo technique but appear to looking for a project to apply their process. Recommended!
Douglas Stockdale, Editor
(originally posted on Singular Images)