Recently announced Left Coast photobook competition, this one is for photobooks that have been published and the winners need to be available for sale during PhotoBook Independent at the end of April in Los Angeles. Details are as follows, and if you have a published photobook, then check it out. By the way, there does not appear to be a restriction on when your book was published; all are fair game, as long as you still have copies to sell.
PhotoBook Independent announces the 2016 PhotoBook Competition. Winning books will be exhibited and for sale at PhotoBook Independent and will be featured on the Photo Independent website and in their marketing campaign.
PhotoBook Independent will again take place at the Raleigh Studios in Los Angeles April 29-May 1, 2016 together with Photo Independent.
Now in it’s 3rd year, Photo Independent weekend celebrates international photography and talented image-makers across various genres of the medium. PhotoBook Independent will include curatorial walk-throughs, book signings, artist talks and other events. This is an incredible opportunity to reach an audience of photo book lovers and collectors in Los Angeles and environs, and to have your book featured on our website, social media and other marketing platforms.
Three books from the PhotoBook Competition will be chosen as Best in Show and will be honored at the Fair.
The PhotoBook Independent competition is open to all photographers and independent publishers in the United States and abroad. Entrants may submit books of any size, format, or style. Submitted books may be self-published, by an on-demand service such as Blurb, Lulu, Apple Books, etc.; created by small run publishing companies; or have been hand-made/hand-bound. Dummy books and PDFs will be accepted, though actual books are preferred, so they can be offered for sale at PhotoBook Independent.
Submissions will be judged on book design, including page layouts, text, cover; strength of the photography and emotional impact of the overall book. All judging is at the complete discretion of the jurors and all decisions are final.
The submission fees are as follows:
- $25 for 1 book
- $35 for 2 books
- $45 for 3 books
Entries must be received (in hand) no later than March 21, 2016.
Winners will be notified in early April.
- Full out form here including uploading a JPEG file of your book cover(s)
- Pay Submission Fee
- Mail one copy of each book submitted to the following address:
Fabrik Media/PhotoBook 2016
269 S. Beverly Drive, #1234
Beverly Hills, CA 90212
If you would like the book returned, you must include a pre-addressed mailing label and sufficient postage. Otherwise your book will become the property of Fabrik Media.
Winning PhotoBook photographers and publishers will have the option of sending additional books to have for sale at the fair. Winners need not be present at the Fair.
All submissions must be original works created by the submitting photographer or be submitted by a publisher who has permission to submit the work.
By entering, the photographer or publisher warrants that the submission does not infringe any third party’s rights, and that you have obtained all necessary permissions from any third party. Once entered, all Submissions are final; no changes or edits may be made to your book.
2016 photo l.a. copyright 2016 Douglas Stockdale
I had an opportunity to join Hiroshi Watanabe at the Gala opening of photo l.a. (Thursday evening). Walking through a gallery (Fair) exhibition like photo l.a. provides an interesting snap-shot of some of the current trends in contemporary photography as well as bench mark for the market of earlier photographer’s work. Note: This is not the time or place for a photographer to try to button hole a gallery owner with a portfolio about one’s “great” photographs, but to take note of who is exhibiting what and to follow up with gallery owners afterward. Which is to say that you should at least introduce yourself!
The overall exhibition & gallery emphasis seemed to lean towards photographers who were or are now exploring conceptual projects. There were a couple of gallery’s who were showing early work by some documentary photographers, but usually limited to a few prints in their collection that were available for sale. As a disclaimer, the aisles were crowded, we were an hour late, so we moved through the exhibition hall at a decent pace. Nevertheless, there was still a lot of interesting and diverse collections of photographs to look at and study.
Note: this article was originally posted on my blog Singular Images.