BC Space PX exhibition – photograph by Raquel Landworth-Kleinhenz
Last Thursday evening (July 9th, 2015) was a wonderfully well attended reception at the BC Space gallery for the Photographers Exchange exhibition opening. As stated in an earlier update, the exhibition will be on display through August 30th, 2015.
Following are some additional photographs from the opening reception;
Roger Bennett with his print
Douglas Stockdale with his two prints, photography by Diane Reeves
Photographer’s Exchange: L -R, Scott Mathews Water Drop, Larry Vogel Guardians of the Sacred, Michael Weitzman Without Love.
BC Space Gallery is pleased to present its new exhibition: The Photographer’s Exchange: A Quarter Century of Sharing the Light.
The Photographer’s Exchange was founded in 1990 by accomplished fine art photographers Larry Vogel and Larry Weise. They were joined shortly thereafter by avid collector Larry Pribble. The three Larrys as they became known, shared a passion for the art and exacting craft of photography and were seeking a way to share their enthusiasm with kindred spirits.
What began as the occasional gathering of a few fellow enthusiasts gradually evolved into a formal organization with dramatically expanded membership, and regular monthly meetings at which they shared information on traditional and new photographic techniques and processes, worthwhile exhibitions, and critiqued each others work.
Never a camera club, the Photo Exchange has remained focused on bringing its members together to enhance their visual literacy through freely sharing their passion and knowledge of the art of photography. This collection of work in this exhibition represents the culmination of twenty five years of “Sharing The Light” and clearly illustrates that the collective can indeed be greater than the sum of its parts.
There will be an opening reception for The Photographer’s Exchange: A Quarter Century of Sharing the Light on Thursday, July 9, 2015, from 6-9 PM at BC Space Gallery, 235 Forest Ave, Laguna Beach, CA 92651. The public is welcome and the event is free.
The exhibition will be on display through August 30. Normal gallery hours are 1-5 PM Fridays through Sunday.
For further information, check the website at www.bcspace.com or contact the gallery at (949) 497-1880. Additional contacts are: Scott Mathews (714) 345-7595, Bill Edwards (949) 307-5360, and Jim Koch (949) 646-2242.
Rondal Partridge, in detail of a photo by Dorothea Lange
This is an extract from the LA Times article about the passing of the photographer Rondal Partridge, whose mother was the photographer Imogen Cunningham. This orbit was published June 29, 2015, and he passed on June 19,2015.
Partridge apprenticed himself to Ansel Adams as a teenager, lugging the master photographer’s heavy equipment up and down Yosemite’s majestic peaks. He also was fired on several occasions, including the time he tied Adams’ shoelaces together and made him fall on his face.
He has said Adams “always jumped over the fence … walked past the garbage. He always wanted to get an immaculate view,” his student once said, “and I spent my life stepping back to include the garbage in my photographic view.”
Copyright the estate of Rondal Partridge, “Pave It and Paint It Green,”
Partridge was born in San Francisco on Sept. 4, 1917, and grew up in a bohemian world. His father, Roi Partridge, was an accomplished etcher who taught at Mills College. His mother, Cunningham, was a photographer and free spirit known for her portraits of artists, botanical studies and nudes. She also was a founding member of Group f/64, the influential collective that included Adams, Lange and Edward Weston and pushed for greater realism in photography.Lange paid him $1 a week to be her darkroom assistant and driver across miles of Central California’s back roads, where she documented lives worn thin by the Depression. He considered her a more influential teacher than Adams and took one of his most memorable portraits at a migrant camp like those he visited with her.
In his last years, he devoted himself to mastering hand-coated platinum printing, a challenging process used by his mother that produces archival quality prints. He focused on images of plants, antique tools and dead animals.
“I don’t want the money. I don’t need the fame. I don’t need the admiration. I’d like all of those things, but I don’t need them,” he once said. “Because what I get from photographing is learning. I have spent my life learning by looking through a lens.”