SoCal PhotoExchange

Hiroshi Sugimoto: Past Tense at The Getty Museum

Posted in Uncategorized by Jim McKinniss on February 18, 2014
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Polar Bear, 1976, Hiroshi Sugimoto, gelatin silver print. Copyright by Hiroshi Sugimoto.

 

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Roofline of Lacock Abbey, circa 1835-1839, 2008, Hiroshi Sugimoto, toned gelatin silver print. Photo copyright by Hiroshi Sugimoto

Since the mid-1970s, Hiroshi Sugimoto has used photography to investigate how visual representation interprets and distills history. This exhibition brings together three series by the artist—habitat dioramas, wax portraits, and early photographic negatives—that present objects of historical and cultural significance from various museum collections. By photographing subjects that reimagine or replicate moments from the distant past, Sugimoto critiques the medium’s presumed capacity to portray history with accuracy. 

Dioramas

Sugimoto first encountered the elaborate animal dioramas at the American Museum of Natural History after moving to New York in 1974 and began to focus his camera on individual scenes shortly after. Omitting the didactic materials surrounding each display, these works heighten the illusion that the animals were photographed in their natural habitats. While each photograph appears to be a candid moment captured by an experienced nature photographer, the subjects depicted will hold their poses indefinitely. 
 

Photogenic Drawings

In 2007 Sugimoto visited the J. Paul Getty Museum to study the earliest photographs by William Henry Fox Talbot in the collection. After photographing some of Talbot’s photogenic-drawing negatives, he produced large-scale prints and colored them with toning agents to replicate the hues of the paper negatives. The scale of the enlarged prints reveals the fibers of the original paper, which create intricate patterns embedded in the images. These works connect the artist intimately to Talbot and the origins of photography. 
 
This exhibition runs February 4–June 8, 2014 at the Getty Center
 

By Jim McKinniss

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